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  • October 1, 2021
    Psychological, Workflow

    How to Handle Workflow Differences When Working On Singles Vs. Albums



    Is producing a single the same as producing a full album? Chris & Jody break down the real differences in workflow, mindset, and strategy between the two. From scheduling and pre-production to mixing approaches and client communication, they explore how the project’s scope shapes the way producers and engineers work. Do you treat a single as a self-contained masterpiece? Or do you craft an album as a bigger narrative arc? They’ll also share insight into the conversations you should have with artists and bands up front—discussions that can save time, budget, and sanity in the studio. Expect actionable recording setup tips, perspective from years in the trenches, and of course, a healthy dash of nonsense to keep things fun. Whether you’re running a compact home studio gear setup or managing a full-blown production workflow, this episode helps you navigate the unique demands of singles versus albums.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • September 28, 2021
    Tuesday Tips, Workflow

    Why Should I Care About Pan Law?


    We’re taking a look into setting Pan Law in your DAW. Showing examples of how it works and what the different settings mean. Then explaining why this can create problems when moving mixes from one DAW to another and why we want to understand them. Plus what Pan Law setting is most common.


  • September 24, 2021
    Interview

    Steve Ouimette on Music, Soundtracks, and Life in the Studio



    Warning: listening to this episode may cause uncontrollable urges to shred. Part 2 of Chris & Jody sitting down with Steve Ouimette—the guitarist/producer you’ve definitely heard (even if you didn’t realize it). From epic video game soundtracks to TV shows, Steve’s riffs have been sneaking into your life for years. He spills on his unlikely start, some wild industry stories, and why chasing the latest hidden features in studio gear isn’t always the answer. Expect laughs, shop talk, and a few tales that prove the music biz is stranger (and cooler) than fiction. It’s equal parts wisdom, nonsense, and guitar-fueled energy—exactly what you need in your headphones today.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


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