• Studio Gear Choices: When Too Much Slows You Down



    You absolutely need another compressor plugin. The other six are probably lonely.

    At least, that is the kind of logic Chris & Jody put under the microscope in this episode of Inside the Recording Studio. Because somewhere along the way, building a studio can quietly turn into collecting home studio gear like you are preparing for a recording emergency that may never happen.

    One guitar needs a backup.

    Naturally, the backup needs a backup.

    And apparently that guitar needs another backup because… reasons.

    Plugins are even easier. There is always another compressor, EQ, effect, or shiny new tool waiting to convince you that this one will finally make everything sound better. Meanwhile, buried somewhere in your existing collection are hidden features in studio gear you have never touched.

    Possibly because you forgot you owned the gear in the first place.

    Chris & Jody dig into that wonderfully ridiculous cycle of collecting more stuff while barely scratching the surface of what is already available. It is part gear obsession, part studio reality check, and part admission that musicians and engineers can be very good at finding reasons to acquire another toy.

    But there is a serious question underneath the jokes.

    Does having more gear actually make your mixes better?

    Sometimes it might. Having the right tool matters. But having twenty versions of the same basic tool does not automatically give you twenty times the ability. At some point, another choice is simply another choice.

    And choices add up.

    Instead of working on the music, you can end up searching through plugins. Instead of learning one tool deeply, you bounce between ten. Instead of discovering what your current recording setup can do, you start wondering what you should add to it.

    That is where Chris & Jody flip the question around.

    What if the next great addition to your studio is something you already own?

    Open that plugin you ignored. Look through the features on the gear sitting beside you. Find the tool you bought because it looked amazing and then somehow never learned. There may be more hiding inside your current setup than you remember.

    And yes, your wallet will probably appreciate the experiment.

    This is not an anti-gear episode. Gear is fun. Plugins are fun. Guitars are fun. The absurdity starts when collecting all of it gets in the way of the reason you wanted a studio in the first place.

    Making music.

    So before you buy compressor number seven, spend some time with compressors one through six. One of them might already do exactly what you need.

    Subscribe to Inside the Recording Studio for more recording setup tips, studio truths, gear talk, and occasional nonsense from Chris & Jody.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Creative Distortion: Dirty Up Guitars, Bass and Drums



    Apparently guitars have been hogging the distortion for far too long, so Chris & Jody have decided it’s time to redistribute the dirt.

    Welcome to another episode of Inside the Recording Studio, where clean audio is perfectly acceptable right up until somebody decides it needs hot sauce.

    This time, Chris & Jody are talking distortion. Yes, guitar distortion is invited. Obviously. But stopping there would be far too sensible. Bass gets distortion. Drums get distortion. And distortion on vocals? Absolutely. Why should guitar players have all the fun?

    The idea is simple: distortion does not have to belong to one instrument or one style of music. You can use it as another creative tool when shaping sounds in your studio. Sometimes a little dirt is exactly what a track needs.

    Or maybe a lot of dirt.

    We’re not judging.

    Chris & Jody take the hot sauce approach to the subject. Sprinkle some on and see what happens. The goal is not to turn every recording into a fuzzy mess. It’s to stop assuming that distortion has only one job. When you start trying it on guitars, bass, vocals, and drums, you give yourself more ways to change the character of the sounds already sitting in your session.

    That’s where creative distortion becomes interesting.

    If you’re working with home studio gear, experimentation is part of the fun. You already have tracks in front of you. Why not find out what happens when something that normally stays clean gets a little less polite?

    Vocals can get dirty. Bass can get nasty. Drums can apparently be fried too.

    Somewhere, a perfectly clean waveform is becoming nervous.

    Along the way, Chris & Jody keep the conversation practical while providing the expected amount of nonsense. Because if you’re going to talk about intentionally adding distortion to perfectly usable audio, you might as well enjoy yourself while doing it.

    And after all that sonic abuse, Friday Finds returns.

    That means once Chris & Jody have encouraged you to start throwing distortion around your mix, they’ll also give you some new toys to investigate afterward. Responsible? Maybe not. Fun? That’s another matter.

    The takeaway is not that everything needs distortion. It’s that distortion deserves a wider job description. If you’ve automatically associated it with guitars and metal, there are bass tracks, vocal tracks, and drum tracks waiting to challenge that idea.

    So open a session, find something suspiciously clean, and consider adding a little dirt.

    Subscribe to Inside the Recording Studio for more studio tricks, home studio gear talk, Friday Finds, and the occasional questionable decision that somehow makes the mix more interesting.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • MainStage Tips for a Better Live Performance Setup



    MainStage is more than an Apple app with a familiar logo, and Chris & Jody are digging into why it can be a serious tool for live performance and studio work.

    This week on Inside the Recording Studio, Chris & Jody get their hands dirty with MainStage and look at what makes it such a useful sidekick for musicians. Whether you are building a touring rig or working from a bedroom setup, MainStage has a place that might be bigger than you think.

    The conversation starts with what MainStage is best at. Rather than treating it like another piece of software that promises to do everything, Chris & Jody focus on where it actually makes sense. They talk about the instruments that can benefit from it, how it fits into a live-performance setup, and why musicians using it on stage need to think about reliability before the show starts.

    Because a crash in the middle of a solo is not exactly the kind of performance anyone wants to be remembered for.

    That means looking beyond the fun stuff and thinking about how to avoid a MainStage crash when you are actually performing. A powerful setup does not mean much if it falls apart when you need it most. Chris & Jody break down the practical side of using MainStage so you can approach your setup with fewer surprises.

    But MainStage is not limited to the stage.

    One of the more interesting parts of the discussion is how MainStage can sneak into studio workflows. That makes this episode useful even if touring is nowhere on your current calendar. Chris & Jody explore the hidden features in studio gear that can make familiar tools useful in ways you might not expect.

    It is part live-performance tool, part studio sidekick, and part reminder that sometimes the software already sitting in front of you can do more than you realized.

    Along the way, expect the usual Chris & Jody approach: practical discussion, performance tricks, plugin talk, and enough skepticism to keep this from becoming a MainStage sales pitch. They are interested in what the software can actually do for musicians, not simply checking boxes on a feature list.

    And once the MainStage geekery is complete, Chris & Jody wrap things up with their signature Friday Finds.

    If you have been looking for MainStage tips, ways to improve a live performance setup, or ideas for bringing MainStage into your studio workflow, this episode gives you plenty to explore.

    Listen now, then subscribe to Inside the Recording Studio for more practical recording, plugin, and performance discussions from Chris & Jody.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Recording Setup Tips for Better Side Chaining



    Everyone talks about side chaining like it’s some secret club. Good news. There isn’t a password.

    This week Chris and Jody tackle one of the most talked about mixing techniques in music production and prove it isn’t nearly as scary as the internet sometimes makes it sound. Side chaining can make a muddy mix breathe, help your kick and bass stop fighting, and even add movement that makes a track feel more alive. Once you understand it, you’ll probably wonder why you waited so long.

    The fun begins with a simple explanation of what side chaining actually does. No confusing textbook definitions. No impossible engineering vocabulary. Just a straightforward conversation about how one signal can control another and why that matters when you’re trying to build a better mix.

    Then the practical part begins. Chris and Jody explain how to set up side chaining in a DAW so you can start experimenting immediately. They don’t stop there either. If you’re working with an MPC Live, they also cover how the same concepts translate into hardware so you’re not limited to one production environment.

    Along the way they share creative ways to use side chaining beyond the obvious kick and bass trick. Want a cleaner vocal mix? Looking for synth parts that pulse with the groove? Trying to make crowded arrangements feel less crowded? You’ll come away with several ideas that you can try on your own projects without needing a complicated setup.

    Naturally, no episode would be complete without Chris and Jody bouncing jokes back and forth while explaining the serious stuff. Their signature banter keeps the conversation light even while covering important recording setup tips. They also point out several common mistakes that producers make when learning side chaining so you can skip the frustration and get better results faster.

    And because no Inside the Recording Studio episode is complete without a little randomness, they also deliver the promised nonsense at absolutely no extra charge. It wouldn’t feel right otherwise.

    The episode closes with another round of Friday Finds, giving you another chance to discover something interesting that might become part of your own recording workflow.

    Whether you’re brand new to compression, trying to understand why side chaining is everywhere, or simply looking for fresh music production ideas, this conversation gives you practical techniques instead of complicated theory. Everything is presented in a way that’s easy to understand and immediately useful.

    Hit subscribe to Inside the Recording Studio and come back next week for more practical recording knowledge, useful studio tips, and whatever unexpected nonsense Chris and Jody decide to include.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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