Chris and jody take on the topic of headphone monitor mix solutions. From the very simple and even hack methods for home studios. Up to mid level studio solutions and then the beyond with pro level solutions. All solutions are meant to get your clients to feel most comfortable with their headphone mix while tracking in your studio. It’s all in here. It’s also not unlikely that there will be some nonsense discussed.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX 7 Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone 9 Imager – iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this Tuesday Tip, we show you an easier way to go about creating a more original drum loop while using other drum loops. This example comes from a jingle that made use of this technique.
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Gear Jody used:
Jody’s Mic & Voice Chain: Telefunken C12 – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone 9 Imager – iZotope Ozone 9 Maximize
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody take on the topic of making use of loops in creating productions. Be it drums, percussion, instruments, vocals, etc, all kinds of loops. Is it considered cheating? Can you be creative with them? A little bit of history about loops also comes a long way in this episode. Plus a word to the wise about copyrights and sampling to make loops. It’s all in here. It’s also not unlikely that there will be some nonsense discussed.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX 7 Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone 9 Imager – iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this Tuesday Tip, Chris quickly goes through the downloading process, as well as the interface of Spitfire Audio’s excellent free plugin LABS. There’s also a musical example, so you can hear it in use. LABS is great for experimentation, getting the creativity going, or just for sample based instruments that fall a little bit outside the norm.
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Gear Chris used:
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, SSL 4kE, API Eq, FG2A) – iZotope RX 7 Spectral DeNoise – Oek Sound Soothe 2
Master: iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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