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    How to Deal with Artists of Different Types



    Running a studio isn’t just about gear—it’s about people. In this episode of Inside the Recording Studio, Chris & Jody explore the psychology of working & how to deal with artists and recording clients, breaking down the personality types you’re most likely to encounter. From the visionary perfectionist to the laid-back jammer, from the control freak to the “just tell me when it’s done” type, they reveal what it takes to adapt while keeping sessions productive and positive.

    But knowing personalities isn’t enough. Chris & Jody share recording setup tips for handling tension, strategies for keeping egos in check, and methods for ensuring your creative input doesn’t get lost in the noise. They also discuss the all-important moment: when to stand your ground as an engineer or producer and advocate for the mix, workflow, or decision that serves the music best.

    Along the way, expect their trademark mix of humor and insight (yes, some nonsense sneaks in), plus this week’s Friday Finds, which include something free and time-sensitive you won’t want to miss. Whether you’re outfitting your home studio gear or working in a commercial facility, understanding client psychology is as crucial as knowing your compressors. This episode equips you to manage both.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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    EQ Trick: How To Separate Elements In Your Mix With EQ


    In this Tuesday tip Jody walks you thru the simple concept of separation between kick and bass in a mix. Using the elementary function of EQ and listening for where each instrument should get prominence in a mix.

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    Separation 101: How To Create Separation Between Instruments In Your Mix



    Achieving separation between instruments in mixing is one of the most important yet misunderstood aspects of music production. Chris & Jody cut through the confusion in this week’s Inside the Recording Studio episode, diving deep into why separation matters, when it’s necessary, and how to achieve it without sacrificing vibe.

    From classic EQ and panning techniques to dynamic control and clever use of ambience, they outline practical recording setup tips you can apply in any session—whether you’re building tracks in a modest home studio gear setup or working in a fully outfitted pro environment. You’ll hear “road warrior” stories from real-world mixing situations where creative problem solving saved the day, plus insights into how too much separation can actually flatten a mix rather than enhance it.

    Is separation a technical checkbox, or an artistic choice that depends on context? Chris & Jody break down the balance between clarity and cohesion, sprinkling in their trademark humor (don’t worry—no actual divorces will occur in this discussion). To top it off, they wrap the episode with their Friday Finds, showcasing new tools, plugins, or ideas that can improve your workflow today.

    If you’ve ever struggled with mud, masking, or wondering why your carefully crafted parts disappear in a dense arrangement, this episode is a must-listen. Separation isn’t just about pulling instruments apart—it’s about giving every sound its place, so the whole track breathes.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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