Inside The Recording Studio - Unlock remarkable tips and tricks for improved recordings in your studio. Unusually great for beginners and professionals.

December 17, 2021

Podcast, Workflow

Music Production Backups: How to Protect Your Sessions from Disaster

Every producer knows the pain—or fear—of losing a session. Backups may not be the sexiest part of music production, but they’re absolutely essential. In this episode of Inside the Recording Studio, Chris & Jody shine a light on the unglamorous yet vital subject of music production backups.

They break down the pros and cons of different backup methods, from local drives and RAID systems to cloud storage solutions. You’ll hear how they personally approach backups in their own workflows, including how they track and organize their data so nothing falls through the cracks. Beyond best practices, they also share horror stories—those gut-wrenching moments when data disappears and can’t be recovered. It’s equal parts educational and a cautionary tale.

Expect actionable recording setup tips on how to build a layered backup system that fits your needs, whether you’re running a sprawling commercial facility or working with a simple home studio gear setup. Chris & Jody explore not only the technical side but also the psychological relief that comes from knowing your work is safe. And of course, their trademark humor keeps the conversation from getting too heavy, with plenty of laughs (and nonsense) sprinkled in.

The episode closes with their Friday Finds, which this week include tools you can use right now to simplify your workflow and protect your creative output.

If you’ve ever wondered whether you’re doing enough to safeguard your projects, or if you’ve been putting off setting up a backup routine, this episode is your wake-up call. Data loss is one disaster you can actually prevent—if you plan for it.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
December 10, 2021

Workflow

Advanced Uses of Delay: Why Knowing The Math Makes For Better Delay Mastery

Delay isn’t just an effect—it’s one of the most powerful tools in a mix engineer’s arsenal. In this episode of Inside the Recording Studio, Chris & Jody dive deep into the world of using delay in mixing, breaking down both the technical and creative sides of this essential effect.

They start with the math: how to calculate delay times in milliseconds based on tempo, and why knowing these numbers matters—especially when working with hardware units that don’t automatically sync to your DAW. Whether you’re new to effects or a seasoned pro, this section will give you practical recording setup tips you can apply immediately.

Next, they explore the different types of delay—slapback, ping-pong, tape, digital, multi-tap, and more—and explain when each might shine in a track. From thickening vocals to widening guitars to adding rhythmic movement in synth-heavy productions, delay opens endless creative doors. Chris & Jody also share how they personally get inventive with delay in ways that go far beyond simply “echoing” a sound.

But this isn’t just a technical masterclass—it’s also about perspective. They discuss why the discipline of calculating and placing delays correctly is just as important as experimenting wildly with them. After all, a mix is only as strong as the choices behind it.

Of course, expect their usual blend of humor and nonsense along the way, plus this week’s Friday Finds, highlighting tools and freebies that can elevate your workflow.

Whether you’re building your arsenal of home studio gear, troubleshooting audio interface latency, or looking for hidden features in studio gear that unlock new sonic textures, this episode equips you with both knowledge and inspiration to make delay your secret weapon in the studio.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
December 3, 2021

EQ, Plugins, Podcast

Eventide Split EQ: Is It Truly Possible To Create A Uniquely New Path In The EQ World?

EQ is old. Boring. Been there, done that, bought the t-shirt, right? Well… maybe not. Eventide just dropped SplitEQ, and Chris & Jody are here to ask the big questions: is this the EQ plugin we’ve all been waiting for, or is it just flexing in front of the mirror?

This isn’t your dad’s parametric EQ with a shiny new GUI. SplitEQ goes deeper—literally splitting transients from tonal content so you can fix what’s poking out without mangling what’s sitting underneath. That means more punch, more control, and fewer headaches when you’re trying to wrangle messy tracks. Or, as Chris & Jody put it, “surgery without the scar tissue.”

But here’s the thing—does anyone actually need it? Or are we just chasing hidden features in studio gear that promise more than they deliver? The guys share their recording setup tips, laugh at some of the hype, and give honest takes on whether this EQ could help with modern challenges like Atmos mixing and cluttered pop productions.

Naturally, there’s nonsense. Of course there’s nonsense. And then there are Friday Finds—because no episode is complete without pointing you toward new toys (or freebies) to feed your gear habit.

If you’ve ever wondered whether EQ could still surprise you, this episode will either convince you—or convince you that Chris & Jody should never be left alone with new plugins.

Michael Brauer video: https://www.youtube.com/watch?v=PS7f_Jsln04

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com