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  • February 18, 2022
    Podcast, Workflow

    How To Get Your Recording Environment Treated – What To Do When You Want Better Recordings



    The best microphones, preamps, and plugins won’t save a mix if your room is working against you. In this episode of Inside the Recording Studio, Chris & Jody break down the essentials of recording room treatment—helping you transform your studio space into an environment where your mixes actually translate.They start with the foundation: monitor speakers. Where you place them in the room matters as much as which brand you choose. Chris & Jody walk through optimal placement strategies and explain how speaker position interacts with your walls, ceiling, and even the furniture in your studio.Next comes the mirror test—a simple, practical method to identify reflection points in your space. The guys explain how to use it, why it works, and what it tells you about where treatment should go.But what about foam panels? Are they the budget-friendly fix we’re all tempted to buy, or are they overrated? Chris & Jody compare foam, fiberglass, and other materials, breaking down what works, what doesn’t, and where each should go in your room. From wall treatments to ceiling clouds, they share recording setup tips that will help you achieve better clarity, tighter low end, and more accurate monitoring.And because they’re Chris & Jody, it’s not just a lecture—it’s sprinkled with humor, personal anecdotes, and the usual nonsense. To wrap it up, they deliver a supersized Friday Find, spotlighting something that could make a big difference in your workflow.If you’re building a space around home studio gear, upgrading a professional setup, or simply curious about why your mixes don’t sound the same outside your studio, this episode is packed with actionable advice. Proper acoustic treatment isn’t about spending a fortune—it’s about knowing what to do and why it matters.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • February 11, 2022
    Synths

    The Rise And Fall And Rise Of The Mini Moog (And Why It’s Still Important)



    Wood panels. Black knobs. Three oscillators humming like electricity in a dream. The Mini Moog was not just a synthesizer—it was an invitation to imagine.

    In this episode of Inside the Recording Studio, Chris & Jody explore the myth and the machine. They tell of its birth: modular monsters made small, sound sculpting compressed into something a musician could carry, touch, play. They describe its magic—filters that sing, oscillators that roar, warmth that feels alive.

    They recount the artists who gave it a voice: Stevie Wonder weaving melodies, Kraftwerk building machine symphonies, funk bands sending basslines into orbit. The Mini Moog became not just an instrument, but a movement.

    Between laughter and nonsense, between history and humor, Chris & Jody remind us why certain tools transcend their time. Their Friday Finds punctuate the journey—modern discoveries alongside vintage legend.

    The Mini Moog is not just a relic. It is a story still unfolding in studios, homes, and hearts.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • February 8, 2022
    Guitars, Tuesday Tips

    Tuesday Tip: The Flexibility of Cab & Mic IR’s


    Discover the amazing flexibility of cabinet and mic IR’s when tracking or mixing guitars. In this video, Chris shows the impact they make on your tone, and why knowing how to actually mic a cabinet, will make your choices easier to make. Also, how using the fantastic MixIR3 plugin from Redwirez, can make this process a lot more streamlined. If you’re curious, the guitar track in this video, was recorded with an Ernie Ball Luke with EMG pickups, DI’d into an Apogee Duet.


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