• Short on Time? Here’s How to Stay Productive in the Studio



    Deadlines don’t care how creative you’re feeling—so Chris and Jody are jumping into the fast lane with an episode all about navigating tight studio deadlines. Whether it’s last-minute sessions, surprise client changes, or an unexpected “we need it yesterday” scenario, the guys share their real-world strategies for staying productive under pressure.

    From prioritizing tasks in your DAW to smart time-saving workflows, they’ll give you the battle-tested tactics that have helped them hit the mark—even when time’s running out. Hear about clever plugin choices, effective template setups, and how to keep creative focus without sacrificing quality.

    And yes, there’s still room for a little nonsense and the latest edition of Friday Finds, because no crunch is complete without some fun.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Use EQ Like a Pro: Fix Problems and Add Polish



    Corrective EQ vs Sweetening EQ: What’s the Difference and Why It Matters

    In this episode of Inside the Recording Studio, Chris and Jody dive headfirst into the often-blurred line between corrective EQ and sweetening EQ — and why understanding the difference can elevate your mixes from passable to polished.

     Corrective EQ: What exactly qualifies as “fixing” a sound? From removing muddiness and taming resonances to addressing harsh frequencies, the duo breaks down when and why to use EQ as a surgical tool during the early mix stages.

     Sweetening EQ: Once the mix is clean, how do you take it from good to great? Chris and Jody walk through subtle boosts, tonal shaping, and the “sprinkle of fairy dust” approach that sweetening EQ can offer — all while staying musical.

    Whether you’re battling room problems, poor mic placement, or just trying to add shimmer to your overheads or glue to your mix bus, this episode explores the process value and decision-making behind each type of EQ move.

    Plus, the latest Friday Finds may change your plugin folder for good — and yes, there’s the usual side of light-hearted nonsense along the way.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Do You Really Need Music Theory to Succeed in Music Production?



    Music Theory in the Studio: Must-Have Skill or Creative Buzzkill?

    Should every musician or producer know music theory? Is it a necessary tool or an outdated gatekeeper? In this episode of Inside the Recording Studio, Chris and Jody tackle one of the most debated questions in modern production: does knowing music theory actually help in the studio—or can it sometimes get in the way?

    From beatmakers who can’t read a note to session players who know every scale in every mode, the creative spectrum is wide—and this conversation explores all sides of it.

     In this episode:

    • Should producers, musicians, and engineers be fluent in music theory?
    • Does music theory speed up the writing and recording process—or complicate it?
    • Can theory knowledge hinder spontaneity and vibe in a creative session?
    • What happens when you’re collaborating with someone who doesn’t know theory?
    • And: how to find the sweet spot between structure and instinct in your workflow

    Whether you’re a self-taught genius or a classically trained perfectionist, this episode will give you a fresh take on where music theory fits into today’s studio landscape.

    And of course, there’s this week’s Friday Finds—plus a bit of good-natured nonsense for balance.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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