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  • December 12, 2025
    Guitars

    Guitar String Materials & Gauges: What Musicians Need to Know for Better Recordings



    Ah yes… the moment every guitarist avoids until a string finally snaps mid-bend: string changing season. Chris & Jody decide enough is enough, time to start the next year with guitar string tone that isn’t corroded, crusty, or older than your last tax return.

    They tear into the eternal war between heavy gauges (“thicc tone, thicc fingers required”) and lighter sets (“bend like butter, intonate like a drunk ferret”). They talk nickel, steel, coated strings, and that mystery set you bought on sale and instantly regretted. Want to understand how string height and intonation sabotage your recordings? This episode spills the tea.

    Plus: simple recording setup tips, sneaky hidden features in studio gear, and why cleaning your strings matters almost as much as cleaning your bathroom. Almost.

    And as always, Friday Finds brings gifts, some useful, some weird, all inspiring.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • December 5, 2025
    Deep Dive

    Vintage Gear, Modern Sound: How to Use Lexicon 224 Emulations in Today’s Productions



    Some gear becomes famous. The Lexicon 224 became mythology. In this episode, Chris and Jody cannonball straight into the digital reverb that drenched the ’80s in shimmering glory and, honestly, made half of your favorite songs sound way cooler than they had any right to.

    They kick things off with the “how the heck did this thing happen?” history lesson because the 224 didn’t just show up; it crashed the party and told every plate, spring, and echo chamber to scoot aside. Suddenly studios had huge, glossy halls and silky plates without needing, you know… actual halls or plates.

    Then the boys take you on a tour of the 224’s delightfully bizarre controls. Some make perfect sense. Others feel like they were designed by a caffeinated time traveler. But Chris and Jody break it all down, how each control shapes your sound, how not to accidentally “blast your vocals into space,” and which settings make drums sound like Thor is doing sound design.

    They share the tricks they keep coming back to classic vocal treatments, impossible-sounding ambiences, drum magic and yes, the inevitable nonsense that sneaks into every episode. Plus, the weekly Friday Finds, because what’s an episode without a new toy to crave?

    If you’ve ever wondered why producers still chase this reverb like it’s vintage Pokémon, this episode will answer it… and probably make you want a 224 of your own (hardware or plugin, we won’t tell).

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • November 28, 2025
    Reverb

    Reverb Explained: The Hidden Architecture Behind Every Great Mix



    Reverb isn’t just an effect, it’s the invisible architecture of every mix. In this episode of Inside the Recording Studio, Chris & Jody step through the misty doorway where reflections, decay, and space become instruments of their own.

    Whether you’re mixing in a compact bedroom rig or a sprawling commercial facility, reverb shapes how listeners feelyour music long before they consciously hear it. And today, the guys take you far beyond the “insert plugin → turn knob” approach. They explore reverb as texture, story, emotion, and as one of the most important creative tools available to any producer.

    They kick things off with the math behind ambience: how pre-delay carves space between consonants, how decay time sketches the size of a hall, and how simple millisecond calculations create depth that even expensive hardware can’t fake. They break down why springs twang, why plates shimmer, and how digital tails can stretch into gorgeous infinity, even in a modest home studio gear setup.

    But theory is only half the fun. Chris & Jody dive into the moments where reverb transformed a track:
    – A snare hit turned into a swelling pad
    – A vocal wrapped in an ethereal halo
    – A guitar that dissolved into cascading shimmer
    – A room reverb that glued an entire mix together
    They even reveal the handful of go-to reverbs that never fail them, plus the oddballs that inspire unexpected ideas. If you’re looking for recording setup tips, subtle mix moves, or even “try this and break the rules” techniques, this episode hits all the marks.

    Of course, it wouldn’t be an Inside the Recording Studio episode without humor, side quests, and a few baffling tangents. Between reflections and decay tails, Chris & Jody squeeze in this week’s Friday Finds, uncovering everything from quirky stompboxes to software that solves those “why is my audio interface doing that?” mysteries. Yes, there’s even a shoutout to audio interface troubleshooting and the eternal struggle to keep your gear clean (and knowing when not to use Windex on your rack units).

    By the end, you won’t just understand reverb better, you’ll hear your mixes differently. You’ll recognize how space guides emotion, how ambience inspires performance, and how reverb becomes the connective tissue that defines a song’s world.

    Reverb isn’t noise bouncing around a room. It’s the air between moments, the breath of the mix. And in this episode, Chris & Jody show you how to shape that air with confidence, intention, and just enough mischief to keep the creative spark alive.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


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