Inside The Recording Studio - Unlock remarkable tips and tricks for improved recordings in your studio. Unusually great for beginners and professionals.

March 25, 2022

Podcast, Workflow

HOW TO FIX A MUDDY MIX: 5 Favorite Ways To Reduce The Mud

Every producer has faced it—the dreaded muddy mix. The low end is messy, the mids are cluttered, and no matter how you tweak, it never sounds quite right. In this week’s episode of Inside the Recording Studio, Chris & Jody break down proven strategies to remove mud from mixes and bring clarity back to your sound.

They begin with the often-overlooked foundation: arrangement. If too many instruments are fighting for the same space, no plugin will fix it. Chris & Jody share ways to think critically about instrumentation, layering, and voicing to set up your mix for success.

From there, it’s all about dynamics. Over-compressed tracks can kill separation and exaggerate low-mid clutter. You’ll hear recording setup tips for using compression wisely to tighten, not smother, your sound.

Of course, EQ is central to cleaning up mud. Chris & Jody highlight frequency ranges to watch out for, carving techniques to make room for each instrument, and how high-pass filters can be your best friend. They also dive into specialized tools—like dynamic EQs and multiband processors—that go beyond the basics to tame problem areas.

They round out the discussion with a look at software that can identify and reduce muddiness automatically, while reminding listeners why ears matter more than meters. Along the way, expect candid stories, humor, and a dose of nonsense.

And yes, the episode wraps up with their Friday Finds—this time spotlighting gear, plugins, or resources you’ll want to add to your own arsenal.

Whether you’re mixing on home studio gear or in a professional facility, these insights will help you achieve clarity, separation, and impact in your tracks.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
March 18, 2022

Interview, Podcast

The Eye On The Prize With Adam Moseley: from the early beginnings to being a producer and more

Great producers don’t just make records—they make careers. In this week’s Inside the Recording Studio, Chris & Jody welcome the legendary Adam Moseley for an interview packed with insights, stories, and wisdom from a life dedicated to music.

Adam’s journey didn’t begin in a control room. He started in a studio swinging hammers and cooking meals before ever touching the faders. That persistence and humility shaped the producer he would become—one with an “eye on the prize” mentality that has carried him through decades of work with some of the world’s biggest artists.

Throughout the episode, Chris & Jody dive into the stories: Adam’s work with Roxette, RUSH, KISS, Richard Marx, and others. You’ll hear how these collaborations unfolded, what lessons he learned along the way, and the mindset it takes to stay relevant across genres and eras.

Of course, it wouldn’t be a gear-driven podcast without some tech talk. Adam shares the tools and home studio gear he can’t live without, along with recording setup tips that apply whether you’re running a world-class facility or producing out of your bedroom. He also touches on the hidden features in studio gear that often make the difference between a good recording and a great one.

And because this is Inside the Recording Studio, the conversation is infused with humor, personality, and a sprinkle of nonsense. Add in this week’s Friday Finds, and you’ve got an episode that’s as entertaining as it is informative.

If you’re curious about what it takes to succeed as a producer—or you just want to hear behind-the-scenes stories about music legends—this episode delivers inspiration, insight, and plenty of laughs.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
March 11, 2022

Podcast, Vocals, Workflow

How To Enhance Vocals With Out of Time Delays

A perfectly clean vocal can sometimes feel… sterile. That’s where delay comes in. In this episode of Inside the Recording Studio, Chris & Jody take a focused look at vocal mixing with delay, showing you how this timeless effect can add depth, space, and character to your tracks.

They start by explaining why delay isn’t just about echo—it’s about placement. A well-chosen delay can help a vocal sit naturally in the mix, creating contrast, rhythm, or space without burying it under reverb. The guys highlight why using unsynced delays can often produce more musical, human results than rigidly locked-in timings.

From there, they explore different types of delay—slapback for retro vibe, ping-pong for movement, tape delay for warmth, and digital delay for precision. You’ll get recording setup tips on how to combine delays with EQ, filtering, and saturation for mixes that sound pro without clutter.

Chris & Jody also share stories from their own sessions, including clever ways they’ve used delays to solve mix problems or create standout effects. True to their style, the episode balances technical know-how with personality, humor, and a dose of nonsense.

And because no episode would be complete without it, they wrap up with this week’s Friday Find—and it’s a big one.

Whether you’re experimenting with home studio gear or running a professional setup, this conversation will inspire you to rethink delay not as a background effect, but as a creative tool for enhancing vocals.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com