• Advanced Uses of Delay: Why Knowing The Math Makes For Better Delay Mastery



    Delay isn’t just an effect—it’s one of the most powerful tools in a mix engineer’s arsenal. In this episode of Inside the Recording Studio, Chris & Jody dive deep into the world of using delay in mixing, breaking down both the technical and creative sides of this essential effect.

    They start with the math: how to calculate delay times in milliseconds based on tempo, and why knowing these numbers matters—especially when working with hardware units that don’t automatically sync to your DAW. Whether you’re new to effects or a seasoned pro, this section will give you practical recording setup tips you can apply immediately.

    Next, they explore the different types of delay—slapback, ping-pong, tape, digital, multi-tap, and more—and explain when each might shine in a track. From thickening vocals to widening guitars to adding rhythmic movement in synth-heavy productions, delay opens endless creative doors. Chris & Jody also share how they personally get inventive with delay in ways that go far beyond simply “echoing” a sound.

    But this isn’t just a technical masterclass—it’s also about perspective. They discuss why the discipline of calculating and placing delays correctly is just as important as experimenting wildly with them. After all, a mix is only as strong as the choices behind it.

    Of course, expect their usual blend of humor and nonsense along the way, plus this week’s Friday Finds, highlighting tools and freebies that can elevate your workflow.

    Whether you’re building your arsenal of home studio gear, troubleshooting audio interface latency, or looking for hidden features in studio gear that unlock new sonic textures, this episode equips you with both knowledge and inspiration to make delay your secret weapon in the studio.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • , ,

    Eventide Split EQ: Is It Truly Possible To Create A Uniquely New Path In The EQ World?



    EQ is old. Boring. Been there, done that, bought the t-shirt, right? Well… maybe not. Eventide just dropped SplitEQ, and Chris & Jody are here to ask the big questions: is this the EQ plugin we’ve all been waiting for, or is it just flexing in front of the mirror?

    This isn’t your dad’s parametric EQ with a shiny new GUI. SplitEQ goes deeper—literally splitting transients from tonal content so you can fix what’s poking out without mangling what’s sitting underneath. That means more punch, more control, and fewer headaches when you’re trying to wrangle messy tracks. Or, as Chris & Jody put it, “surgery without the scar tissue.”

    But here’s the thing—does anyone actually need it? Or are we just chasing hidden features in studio gear that promise more than they deliver? The guys share their recording setup tips, laugh at some of the hype, and give honest takes on whether this EQ could help with modern challenges like Atmos mixing and cluttered pop productions.

    Naturally, there’s nonsense. Of course there’s nonsense. And then there are Friday Finds—because no episode is complete without pointing you toward new toys (or freebies) to feed your gear habit.

    If you’ve ever wondered whether EQ could still surprise you, this episode will either convince you—or convince you that Chris & Jody should never be left alone with new plugins.

    Michael Brauer video: https://www.youtube.com/watch?v=PS7f_Jsln04

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • ,

    Chatting with Robert Anthony Navarro: Guitar Player, Producer, Composer, and Library Owner!



    Part 2 of Chris and Jody sitting down for a chat with guitarist producer extraordinaire, Robert Anthony Navarro. Chances are you’ve already heard his work without even realizing it—whether in TV soundtracks, radio spots, or national commercials, Robert’s playing and production chops have been woven into the everyday soundtrack of countless listeners.

    This in-depth Robert Anthony Navarro interview explores his beginnings, how he first found his footing in the music industry, and the pivotal moments that set him on a path toward becoming a versatile and in-demand creative. Along the way, Robert shares stories of working with a variety of artists, producers, and collaborators—insights that reveal not only the challenges of breaking in but also the lessons learned in staying relevant and adaptable in a constantly changing landscape.

    Chris & Jody dig into the psychology of navigating a career as both guitarist and producer, discussing the balance between technical precision and creative inspiration. They uncover tips on everything from managing home studio gearsetups to refining recording setup tips for commercial work. As always, the episode is infused with humor, candid honesty, and a little bit of nonsense to keep things lively.

    Listeners will walk away with more than just stories—they’ll gain perspective on the realities of sustaining a long-term career in music production. Whether you’re chasing commercial placements, learning how to collaborate effectively, or just curious about the hidden features in studio gear that professionals rely on, Robert’s journey offers inspiration and actionable takeaways.

    And don’t forget: Chris & Jody close with their weekly Friday Finds, spotlighting tools, ideas, or resources that you can use in your own studio.

    For anyone looking to sharpen their skills, expand their career outlook, or simply enjoy a great conversation with a seasoned pro, this episode is one not to miss.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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