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  • January 28, 2022
    Plugins, Reverb

    A Deep Dive into the iZotope NeoVerb Reverb Plugin: An Audio Dream in the Making



    Reverb plugins are everywhere, but every once in a while, one comes along that tries to stand out. Enter iZotope NeoVerb. In this episode of Inside the Recording Studio, Chris & Jody roll up their sleeves and dig into what makes this reverb different, why it matters, and whether it deserves a place in your plugin folder.

    They begin with a look at the user interface (UI)—how its clean design and intuitive layout help speed up workflow, even for engineers who are used to complex reverb tools. From there, they walk through the unique features that set NeoVerb apart, like its intelligent reverb blend pad, advanced EQ controls, and tools that make it easier to carve out space in a mix without drowning tracks in mud.

    Of course, this isn’t just a tech demo. Chris & Jody share recording setup tips and real-world use cases where NeoVerb can shine, from subtle vocal ambience to creating immersive soundscapes. They also discuss how it fits into today’s landscape of reverb plugins, comparing it to classics and pointing out the hidden features in studio gear that users often overlook.

    But it’s not all praise—expect an honest discussion of what works, what doesn’t, and when another tool might still be a better fit. And because this is Inside the Recording Studio, there’s humor, candor, and yes, some nonsense woven throughout.

    As always, the episode wraps up with their Friday Finds, where Chris & Jody highlight tools, plugins, or resources worth exploring.

    Whether you’re running home studio gear and looking for versatile plugins, or a seasoned pro wanting to experiment with something fresh, this episode gives you the insight (and entertainment) you need to decide if NeoVerb is worth your time.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • January 21, 2022
    Interview

    Legendary Producer CJ Vanston and His Beard: How He Discovered His Secrets for Success



    CJ Vanston has built a career most musicians only dream about—and in this episode of Inside the Recording Studio, Chris & Jody bring him in for a conversation packed with wisdom, stories, and laughter.

    The CJ Vanston interview kicks off with his early beginnings: what set him on the path to becoming a first-call musician, producer, and composer. From there, the stories unfold—anecdotes about turning down a major artist over something as unexpected as a beard, and insights into the mindset that has kept him grounded and inspired throughout decades in the business.

    Of course, no gearhead interview would be complete without some studio talk. CJ shares the gear he simply can’t live without, offering recording setup tips that apply whether you’re working with high-end rigs or humble home studio gear. Along the way, he reveals the habits and techniques that keep his creative process sharp, as well as the hidden features in studio gear that have given him an edge.

    The conversation also detours into some wild and wonderful highlights from CJ’s career—his work with Spinal Tap, Toto, Richard Marx, and yes, even Elvis impersonators. It’s a mix of humor, honesty, and experience that only someone with CJ’s résumé could bring.

    And as always, Chris & Jody cap things off with their Friday Finds, spotlighting fresh tools and resources you’ll want to check out. Add in their signature humor and a sprinkling of nonsense, and you’ve got an episode that’s as entertaining as it is educational.

    If you’re curious about what it takes to sustain a career in music, how to balance artistry with professionalism, or just want to hear stories from one of the greats, this episode is a must-listen.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • January 14, 2022
    General, Workflow

    Control Surfaces: What They Are And Why You Need To Be Aware Of Them



    Control surfaces: lifesaving workflow boosters or just overpriced desk ornaments? Chris & Jody take a no-nonsense, slightly cheeky look at the world of control surfaces in music production in this week’s Inside the Recording Studio.

    They’ll give you the lowdown on where these things came from (spoiler: some of them are older than your favorite plug-in), the types available, and the times they’ve actually found them useful. You’ll hear about single-fader toys that feel like glorified volume knobs all the way to massive boards that look like you’re piloting a spaceship.

    But are they worth the cash? Chris & Jody argue both sides—pointing out the real workflow benefits, but also calling out when a mouse and keyboard might do the job just as well. And yes, they’ll name names on a few favorites they’d actually recommend.

    Add in the usual dose of nonsense, laughs, and this week’s Friday Finds, and you’ve got an episode that makes even knobs and faders sound exciting. If you’ve ever been tempted by slick marketing videos for control surfaces—or wondered why your buddy’s studio looks like mission control—this one’s for you.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


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