• Get ready for a Shockwave: Crushing Recording Myths



    Chris and Jody court their 5 most common recording myths and lay them out cold with a KO punch. Do you need everything under the sun? How many mics do you need? Do you need the most expensive gear? All this and more is discussed to hopefully end the myths that surround our lives in regards to recording and mixing.

    ** Show note: Jody’s Mic is a Telefunken M80. The Chain does not include the Groove Tubes Vipre. Those are the changes for this episode only.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Discovering the Ultimate Audio Magic with the TC2290 Deep Dive



    Few hardware units have reached near-mythical status in the recording world like the TC2290 Digital Delay. In this episode of Inside the Recording Studio, Chris and Jody strap in for a deep dive into the TC2290—a piece of gear that not only redefined delay but also raised the bar for what a digital effects unit could do.

    They begin with the history: how the TC2290 emerged in the mid-1980s and quickly earned its place in studios and on stages for its pristine sound, flexibility, and forward-thinking design. It wasn’t just another delay—it was a modular powerhouse, capable of everything from subtle repeats to lush, multi-layered soundscapes.

    Chris and Jody then turn to the interface and modules. They explore how its iconic rack-mounted design and front-panel layout gave engineers incredible control. From modulation sections to routing options, the TC2290 provided features that were ahead of its time and are still revered today. They’ll break down what each module does, why it matters, and how it all comes together to form one of the most incredible-sounding hardware delays ever made.

    You’ll also get insight into how the TC2290 compares to modern plugins and other digital emulations. Do today’s tools capture its essence? Or is there something about the hardware—its converters, its quirks, its workflow—that can’t quite be replicated?

    As always, Chris and Jody bring a balance of technical expertise and real-world perspective. Expect actionable recording setup tips, stories about how they’ve used delay in their own productions, and a few laughs about the quirks of working with vintage gear.

    If you’re curious about why the TC2290 still holds such weight in pro audio circles—or if you just love geeking out about hidden features in studio gear—this episode is your front-row seat to the legend.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • ,

    Discover the Hidden Magic of Pink Noise: Your Secret Weapon for Improving Mixes



    Pink noise. You’ve probably heard of it, but how well do you actually know it? In this episode of Inside the Recording Studio, Chris and Jody shine a light on the oft-debated subject of pink noise as a mixing tool—what it is, how it compares to white noise, and whether it really deserves a place in your workflow.

    They’ll start with the science: what is pink noise? Unlike white noise, which has equal energy across frequencies and can feel harsh to the ear, pink noise is weighted more naturally toward the lows and mids—closer to how we perceive balanced sound. That’s why it’s been used for everything from speaker calibration to ear training, and yes, even mixing.

    From there, Chris and Jody dive into the practical application. How do you use pink noise to balance your mix? What’s the process for matching levels against it? Does it make your workflow faster, or does it create a “cookie cutter” result that doesn’t always serve the song? They’ll share real-world insights, pros and cons, and where it can be a good training exercise versus when to trust your ears and instincts.

    Along the way, expect plenty of recording setup tips on integrating pink noise checks into your DAW, using plugins effectively, and avoiding common pitfalls. And because this is Inside the Recording Studio, there will also be humor, banter, and maybe even a tangent or two about noise in general (the good, the bad, and the “why is my interface buzzing again?” kind).

    Whether you’re running a full studio or just starting out with home studio gear, this episode gives you a balanced perspective on pink noise: what it is, what it isn’t, and how to use it wisely.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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