Who says distortion is just for shredders in leather pants? This week, Chris & Jody are here to spill the beans on how creative distortion in mixing can spice up any track. Think of it like hot sauce: a little goes a long way, but sometimes you just want to drench everything.
They start by serving up the obvious—guitar tones that roar and scream—but then they ladle distortion all over the mix. Bass that rattles, vocals that snarl, even drums that sound like they’re trying to escape the speakers. It’s chaos, but the good kind.
Along the way, you’ll get recording setup tips for pulling this off with your home studio gear without blowing up your interface (unless you want to). They’ll also expose a few hidden features in studio gear that can surprise you when you push them past polite levels.
And of course, no episode is complete without their signature nonsense, wisecracks, and a Friday Find that will have you itching to experiment the moment you hit stop.
This isn’t “Distortion 101.” This is distortion with swagger.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
