In this special episode of Inside the Recording Studio, Chris and Jody sit down with Martin Seidl, the driving force behind Austrian Audio. Join us as we dive deep into the rich history of Austrian Audio, from its roots in Vienna to becoming a key player in the pro audio world. Martin shares the fascinating story behind their flagship microphone, the OC818, discussing its innovative features and how it stands out in a crowded market.
But that’s just the beginning – we also explore Austrian Audio’s range of high-quality microphones, headphones, and their unique approach to capturing sound. Learn about advanced miking techniques and discover how Austrian Audio’s pioneering work in spatial audio is reshaping the way we think about sound.
Whether you’re an intermediate or advanced audio engineer, this episode offers a rare behind-the-scenes look at cutting-edge audio technology, and will give you practical insights into making the most of Austrian Audio’s tools in your recordings.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
In this episode of Inside the Recording Studio, Chris and Jody delve into the art of compressing electric guitars, sharing expert insights on how to get the most out of your compression tools. Whether you’re aiming for tight, punchy tones or smooth, sustained textures, understanding when and how to use compression is crucial for achieving professional-level guitar mixes.
We cover everything from subtle dynamic control to more aggressive techniques, helping you decide when it’s necessary to apply compression. Explore the nuances of track-based compression versus bus compression, and learn how these approaches can be used to add punch and clarity or glue a mix together. We also discuss our go-to compressors for electric guitars, including iconic models like the 1176 for aggressive, fast-attack control, the LA-2A for smooth, transparent leveling, the Distressor for versatility, and the SSL compressor for adding cohesion on the bus.
Whether you’re a seasoned engineer or looking to refine your skills, this episode provides practical advice on using these classic tools to sculpt your guitar tones to perfection. We’ll take you through real-world examples, showing how different compressors can shape the sound of electric guitars and when each tool shines the brightest.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
In this episode of Inside the Recording Studio, we break down the art of hearing compression in your recordings—specifically focusing on how compression affects the sound of a brass snare drum using Logic’s Platinum Compressor.
Compression can be a tricky tool to master, especially when it comes to subtle changes in dynamics. Join us as we discuss:
- Understanding Compression: We start by explaining how compression works on an instrument like a snare drum, particularly a brass snare, and how it shapes the attack, sustain, and release of the sound.
- Using Logic’s Platinum Compressor: Learn how to dial in the right settings on Logic’s versatile Platinum Compressor to hear the subtle (and sometimes not-so-subtle) differences. From threshold to ratio, attack, and release, we guide you through the parameters to tweak for maximum effect.
- Listening Techniques: Not sure what you should be listening for? We break down key listening tips so you can learn to hear compression as it smooths out transients, tightens up dynamic range, and gives the snare its distinctive punch.
- Creative vs. Transparent Compression: Discover the difference between using compression to subtly enhance your mix and using it as a creative tool to completely reshape the sound of an instrument.
Whether you’re a beginner looking to understand compression or a seasoned producer fine-tuning your ear, this episode will help you harness the power of compression on your drum recordings. Tune in now to Inside the Recording Studio and start making more intentional compression decisions!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com