In this nostalgic yet forward-thinking episode of Inside the Recording Studio, Chris and Jody take a deep dive into old-school recording techniques and terminology while exploring how they can be blended with modern recording methods.
Whether you’re a veteran in the industry or just starting your audio engineering journey, this episode has something for everyone. We cover:
- Classic recording techniques: Learn about vintage methods used in legendary studios, from tape machines to analog consoles, and how these techniques shaped the sound of iconic records.
- Understanding old-school terminology: Get familiar with classic recording lingo like “overdubs,” “bouncing tracks,” “biasing tape,” and more, and see how these terms still hold relevance today.
- Blending old with new: Discover how to mix time-honored techniques with today’s digital technology, incorporating analog warmth with modern DAWs, plugins, and virtual instruments for a unique sonic palette.
- Why both approaches matter: Chris and Jody explain why understanding both old and new techniques can give you a creative edge and help you make more informed decisions during the production process.
Whether you’re a fan of analog or an advocate of digital, this episode offers invaluable insights on how to bridge the gap between vintage and modern recording to create timeless music. Tune in now to Inside the Recording Studio and expand your sonic toolkit!
******************************
Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
******************************
If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
In this special episode of Inside the Recording Studio, Chris and Jody sit down with Rich Renken to dive deep into the world of James Tyler Guitars. Known for their exceptional craftsmanship and innovative design, James Tyler Guitars have become a go-to choice for professional musicians seeking unmatched playability and tone.
Join us as Rich shares:
- The story behind James Tyler Guitars: How the brand became a leading name in the guitar world, known for pushing boundaries and delivering high-quality, custom-built instruments.
- Rich’s role in the brand’s growth: From working with top artists to overseeing key developments, we explore Rich’s journey with James Tyler and the brand’s ongoing evolution.
- What makes James Tyler Guitars unique: Discover the cutting-edge technology, attention to detail, and artistic vision that set these guitars apart, from their iconic neck designs to the innovative electronics and finishes.
- Insights on the future of the guitar industry: Rich shares his thoughts on where the guitar world is heading, and how James Tyler Guitars continues to lead the charge in modern guitar design.
Whether you’re a guitarist, gearhead, or just a fan of great craftsmanship, this episode offers an inside look at one of the most respected brands in the guitar world. Tune in to hear from Rich Renken and get a backstage pass to the James Tyler Guitar legacy! 🎸🎶
In this episode, Chris and Jody tackle a crucial challenge every producer faces: mixing tracks that come from poorly recorded and pristinely recorded sources. What do these terms mean, and how does the quality of the recording shape the mixing process?
Join us as we explore:
- What defines a poorly recorded source: Whether it’s noise, distortion, bad mic placement, or room issues, we break down the characteristics of recordings that come with inherent flaws and how to recognize them.
- What makes a recording pristine: Learn how high-quality recordings—with proper mic techniques, controlled environments, and clear sound—set the foundation for a smoother mixing process.
- Our first steps for mixing each type: We reveal our go-to strategies for bringing life to poorly recorded sources, from corrective EQ and noise reduction to creative tricks that make imperfections work in your favor. On the flip side, we share how to approach pristinely recorded sources, focusing on enhancing what’s already great and letting the song’s natural beauty shine.
Whether you’re cleaning up messy tracks or polishing already perfect recordings, this episode is packed with actionable tips and techniques to help you master both ends of the spectrum. Tune in and elevate your mixing skills with Inside the Recording Studio!
******************************
Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
******************************
If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
🎙️ A thought-provoking episode where Chris and Jody dive deep into the art of production balance! This time, we’re tackling the often-debated concepts of underproduced and overproduced mixes. What do these terms really mean, and how do they impact your final sound?
Join us as we explore:
- What makes a mix underproduced: How minimal arrangements can leave a song feeling flat or incomplete, and how to identify when more layers or production elements are needed.
- What makes a mix overproduced: When too much is happening in the mix—whether it’s excessive effects, over-layering, or crowded instrumentation—and how this can drown out the song’s essence.
- Our first steps in dealing with both types of mixes: Learn how we approach both underproduced and overproduced tracks to bring them back to life. From stripping things down to building them up, we share our go-to strategies for achieving the perfect production balance.
Whether you’re dealing with a mix that’s too bare or one that’s bursting at the seams, this episode is packed with insights on finding the sweet spot that makes your music shine. Tune in and take your productions to the next level with Inside the Recording Studio! 🎧✨
******************************
Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
******************************
If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com