Chris shows his method for exporting multi-tracks in Logic Pro. Wether it’s for collaboration, or sending it out for mixing. A failsafe way to make sure everything will line up properly on the receivers end, to avoid timing issues. There’s also a brief explanation of the difference between multi-tracks and stems.
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Talkin About Stems And Multitracks – What’s The Flippin Difference?
Chris and jody take on the topic of sharing projects while recording. The differences between stems and multitrack projects. How it applies to collaboration, mixing, or sending a song out to be mixed. When someone might ask for stems and what they mean by it. Know your terminology so you can sound competent in any recording, mixing, mastering and licensing situation. It’s also not unlikely that there will be some nonsense discussed.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.comSetting Up Headphone Cue Mixes Via Audio Interface And DAW
In this Tuesday Tip, Jody walks you thru setting up a DAW for CUE outputs for headphone mixes. This example makes use of the Apollo cue setup via console and the DAW is Logic. The same concept applies to other audio interfaces and DAWs.
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