Inside The Recording Studio - Unlock remarkable tips and tricks for improved recordings in your studio. Unusually great for beginners and professionals.

May 13, 2022

Microphones, Vocals

Vocal Mic Distance: How Close is Close Enough?

Tracking Vocals Like a Pro

When it comes to making a song connect, few things are more important than the vocal. But capturing a great vocal isn’t just about a good singer—it’s about technique, mic handling, and knowing the quirks that can make or break a performance. On this episode of Inside the Recording Studio, Chris and Jody dig into the practical (and sometimes overlooked) details of tracking vocals.

How close should you actually be to the mic? Too close and you risk plosives, boominess, and overwhelming proximity effect. Too far and the vocal loses intimacy, presence, and clarity. Chris and Jody talk through these issues and share recording setup tips to help you find the sweet spot for every singer and every song.

But what about the singers who insist on holding the mic in their hand? It might feel natural on stage, but in the studio it introduces handling noise, inconsistent distance, and a whole lot of headaches. The guys weigh the pros and cons, offering strategies for dealing with this common request without sacrificing quality.

And then there’s the proximity effect—a powerful tonal shift that happens as singers move closer to directional mics. Sometimes it’s a problem to manage, other times it’s a creative tool you can embrace. Chris and Jody explain how to recognize it, control it, and even use it to your advantage.

Along the way, you’ll get clear advice that applies whether you’re working with high-end gear or just starting out in a home studio gear setup. Expect to hear about the issues you run into when the basics aren’t right, practical fixes, and how to avoid wasting takes on problems that could have been solved before hitting record.

Of course, it wouldn’t be Inside the Recording Studio without a little Friday Finds, where Chris and Jody share cool tools, plugins, or resources to spark your creativity. And yes—some good-natured nonsense makes an appearance too.

By the end of this episode, you’ll know how to position singers for better recordings, how to avoid the most common tracking pitfalls, and how to make sure your vocal takes sit in the mix with authority.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
May 6, 2022

EQ, Workflow

Audio Masking: All the Tools You Need to Avoid It

Understanding Audio Masking

Every mix has its battles. Instruments clash, frequencies collide, and sometimes the music you carefully crafted turns into a blur. That, friends, is audio masking—and it’s the silent mix killer. On this episode of Inside the Recording Studio, Chris and Jody wade into the muddy waters of masking, explaining what it is, why it happens, and most importantly, how to eliminate it.

So what exactly is audio masking? It’s when two instruments occupy the same frequency range and step on each other’s toes, leaving you with a mix that feels cluttered or flat. Chris and Jody break down the most common offenders: guitars and vocals battling for midrange real estate, bass and kick fighting in the low end, synths washing over everything with dense layers.

But this isn’t just a problem for pros in big studios—home studio gear setups are especially prone to masking since rooms and monitoring aren’t always perfect. The guys offer practical recording setup tips for identifying where masking is happening, and how to solve it with EQ moves, arrangement tweaks, or panning strategies.

You’ll also learn why simply making things louder isn’t the solution. Instead, Chris and Jody highlight the importance of listening critically and carving space so every instrument has its moment to shine. They share insight into software tools—like spectrum analyzers and visualizers—that can actually let you see masking in your mix, revealing hidden overlaps you might not catch by ear alone.

And of course, in true Inside the Recording Studio fashion, you’ll get their candid takes, a bit of nonsense, and the latest Friday Finds to inspire your next project.

By the end of this episode, you’ll know how to spot masking before it ruins your mix, how to fix it with confidence, and how to keep your productions sounding polished and professional.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
April 29, 2022

Drums, Percussion, Workflow

Drum Programming vs Live Drums: How to Know When to Use Which?

Drum Programming vs Live Drums

Few topics in music production inspire more debate than drum programming versus live drums. On this episode of Inside the Recording Studio, Chris and Jody unpack the pros, cons, myths, and must-knows of both approaches.

Drums are the backbone of most songs—so how you capture them can make or break a track. Should you reach for a drum kit and microphones, or open up your favorite drum plugin? Chris and Jody dive into when live drums are ideal—from rock and jazz to genres where feel and nuance matter most—and when programmed drums shine in styles like pop, EDM, and hip-hop.

They share recording setup tips for getting the most out of live drums, from room considerations to mic placement pitfalls. On the programming side, they reveal what to watch out for—like robotic timing, unrealistic velocity layers, and sounds that don’t match the vibe of the track.

But it’s not always one-or-the-other. Chris and Jody discuss the growing trend of hybrid drumming: enhancing live kits with programmed elements or layering samples to add punch and clarity. Think real drummer feel + machine consistency.

Expect candid takes, a few workflow hacks, and of course, this week’s Friday Finds—because who doesn’t like discovering cool new tools and ideas for the studio? And yes, a little nonsense sneaks in too—it’s how they roll.

Whether you’re deep into home studio gear, troubleshooting your audio interface, or just wondering why your drum track sounds flat, this episode gives you a clearer path. You’ll come away knowing when to program, when to mic up, and how to blend the two for a modern, professional sound.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com