In this Tuesday Tip we’re taking a look at Drum Channel Strip Presets. Why would we want them? How they can make the same drum set sound completely different with different console emulations. Experiment and save your channel strips to give you quick access to different drum setups.
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MIX ENGINEERING 101: Do You Need A Sound Or Style?
So… should your mixes always sound like you? Chris & Jody stir the pot with a no-holds-barred chat about whether mix engineers should embrace a “signature sound” or just be sonic chameleons. On one hand, having a vibe makes you recognizable. On the other, it might just turn you into a one-trick pony. They unpack the pros, the cons, the industry myths, and of course, a little nonsense in between. Plus, don’t miss their Friday Finds—because what’s a good debate without some fresh gear talk and a laugh? Spoiler: even hidden features in studio gear sneak into the conversation.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com -
How to Handle Workflow Differences When Working On Singles Vs. Albums
Is producing a single the same as producing a full album? Chris & Jody break down the real differences in workflow, mindset, and strategy between the two. From scheduling and pre-production to mixing approaches and client communication, they explore how the project’s scope shapes the way producers and engineers work. Do you treat a single as a self-contained masterpiece? Or do you craft an album as a bigger narrative arc? They’ll also share insight into the conversations you should have with artists and bands up front—discussions that can save time, budget, and sanity in the studio. Expect actionable recording setup tips, perspective from years in the trenches, and of course, a healthy dash of nonsense to keep things fun. Whether you’re running a compact home studio gear setup or managing a full-blown production workflow, this episode helps you navigate the unique demands of singles versus albums.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com -
Why Should I Care About Pan Law?
We’re taking a look into setting Pan Law in your DAW. Showing examples of how it works and what the different settings mean. Then explaining why this can create problems when moving mixes from one DAW to another and why we want to understand them. Plus what Pan Law setting is most common.