Chris and Jody do a non-sexy look into the arena of de-essers. The specific mixing tool that few like to think about until they are in dire need of fixing sibilance in a vocal or something harsh in another instrument. How do they operate? What do they do? What are our choices for awesome de-essers? You’ll have happier ears after this episode. It’s also not unlikely that there will be some nonsense discussed.
Cleaning Up Multi-Tracks – How to Make Your Multi-Tracks Sound Awesome
Chris and Jody plunge into the waters of getting multi-tracks prepped for doing a mix. What are the steps we take to clean up individual tracks for vocals, guitars, bass, drums, virtual instruments, orchestral instruments and more. The idea of how we get things ready for mixing and for recording engineers to give to mix engineers. It’s also not unlikely that there will be some nonsense discussed.
How To Make Your Mix More Dynamic
Chris and Jody waltz in to the subject of how to get a mix to move and breath. What kind of techniques we use to get some life, sparkle and splashes to invigorate your mix. All in the name of being able to keep a listener’s interest in the song beyond the mundane. It’s also not unlikely that there will be some nonsense discussed.
What is Headroom? (And Why It’s Important)
Chris and Jody squeeze into the subject of recording headroom. Talking about what it is and why it’s important to be consciously aware of. They bring up what the ideal sweet spot of headroom is for a mix and how it is important to get right before sending a mix off for mastering. It’s also not unlikely that there will be some nonsense discussed.