• Get ready for a Shockwave: Crushing Recording Myths



    Chris and Jody court their 5 most common recording myths and lay them out cold with a KO punch. Do you need everything under the sun? How many mics do you need? Do you need the most expensive gear? All this and more is discussed to hopefully end the myths that surround our lives in regards to recording and mixing.

    ** Show note: Jody’s Mic is a Telefunken M80. The Chain does not include the Groove Tubes Vipre. Those are the changes for this episode only.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Discover the Hidden Magic of Pink Noise: Your Secret Weapon for Improving Mixes



    Pink noise. You’ve probably heard of it, but how well do you actually know it? In this episode of Inside the Recording Studio, Chris and Jody shine a light on the oft-debated subject of pink noise as a mixing tool—what it is, how it compares to white noise, and whether it really deserves a place in your workflow.

    They’ll start with the science: what is pink noise? Unlike white noise, which has equal energy across frequencies and can feel harsh to the ear, pink noise is weighted more naturally toward the lows and mids—closer to how we perceive balanced sound. That’s why it’s been used for everything from speaker calibration to ear training, and yes, even mixing.

    From there, Chris and Jody dive into the practical application. How do you use pink noise to balance your mix? What’s the process for matching levels against it? Does it make your workflow faster, or does it create a “cookie cutter” result that doesn’t always serve the song? They’ll share real-world insights, pros and cons, and where it can be a good training exercise versus when to trust your ears and instincts.

    Along the way, expect plenty of recording setup tips on integrating pink noise checks into your DAW, using plugins effectively, and avoiding common pitfalls. And because this is Inside the Recording Studio, there will also be humor, banter, and maybe even a tangent or two about noise in general (the good, the bad, and the “why is my interface buzzing again?” kind).

    Whether you’re running a full studio or just starting out with home studio gear, this episode gives you a balanced perspective on pink noise: what it is, what it isn’t, and how to use it wisely.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Unlock Your Mixing with These 10 Incredible Mixing Tips and Ideas!



    Mixing is part science, part art, and part learning how not to let your hi-hat eat your guitar alive. In this episode of Inside the Recording Studio, Chris and Jody lay out 10 powerful mixing tips designed to make your workflow more efficient and your mixes more effective.

    Covering the fundamentals and beyond, they break down practical strategies for EQ, compression, volume levels, panning, delay, and more. These aren’t abstract “trust your ears” mantras—they’re actionable ideas that can make an immediate difference in how your tracks come together. You’ll learn how to balance frequencies so instruments don’t clash, how compression can shape energy instead of just squash dynamics, and how subtle level changes can transform the feel of a mix.

    Chris and Jody also emphasize workflow. By applying these 10 ideas, you can save time, reduce decision fatigue, and focus more on creativity rather than troubleshooting. Along the way, you’ll hear about one memorable session where a hi-hat and guitar collided in the worst possible way—and how they solved it.

    Of course, this is still Inside the Recording Studio, so while you’ll get solid recording setup tips and practical know-how, you’ll also get humor, banter, and a healthy dose of nonsense. Because let’s face it—mixing is easier when you can laugh about the chaos.

    Whether you’re working on your first song in a bedroom setup or refining your workflow with pro-level home studio gear, these 10 tips will sharpen your skills, speed up your process, and give you a fresh perspective on how to approach mixing.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Sample Libraries Uncovered: How to Manage Like a Pro for Efficiently Organizing and Future-Proofing Your Collections



    Sample libraries are both a blessing and a curse. They’re the lifeblood of modern production—massive collections of meticulously recorded instruments at your fingertips. But when those libraries start eating up terabytes of drive space, clogging file paths, and slowing down your workflow, they quickly become a headache. In this episode of Inside the Recording Studio, Chris and Jody tackle the practical (and sometimes painful) subject of managing and storing sample libraries.

    This isn’t a “here are our favorite sample packs” kind of chat. Instead, the duo breaks down best practices for keeping your libraries tidy, clean, and future-proofed. You’ll hear about external vs internal drives, SSD vs HDD for different use cases, and strategies for spreading libraries across multiple disks without breaking your DAW’s ability to find them.

    Chris and Jody also share tips on folder structures, naming conventions, and why simply dumping everything into “Samples” is a recipe for chaos. They’ll cover backup strategies, how to prepare for inevitable drive failures, and ways to migrate your collection if you upgrade your computer system.

    And because this is Inside the Recording Studio, you’ll also get humor, war stories, and some playful jabs at the sheer absurdity of libraries so big they could rival NASA’s data servers. It’s practical, relatable, and entertaining—perfect for anyone whose home studio gear is groaning under the weight of too many gigabytes.

    By the end, you’ll have actionable recording setup tips to make your sample libraries faster to access, safer from disaster, and easier to navigate—so you can spend less time scrolling through endless folders and more time making music.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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