• The Truth About Signature Sound in Mixing



    When you hit play on a track, should it sound like you — unmistakably branded with your sonic fingerprint — or should it morph seamlessly into whatever the song demands? In this week’s episode of Inside the Recording Studio, Chris & Jody dive headfirst into one of the most polarizing debates in audio engineering: the “signature sound” dilemma.

    For decades, producers and mix engineers have wrestled with the question: Is having a recognizable vibe a mark of mastery, or does it risk pigeonholing you into a single trick? Chris & Jody weigh the benefits of carving out a signature style that helps you stand out in an overcrowded market against the flexibility of becoming a sonic chameleon who adapts to every artist’s vision.

    Expect straight talk about industry myths, the hidden costs of always “sounding like yourself,” and why some of your favorite records do carry an engineer’s fingerprint even if you don’t realize it. This is a conversation that touches everything from home studio gear choices to recording setup tips that can push your mixes one way or another. They even uncover a few hidden features in studio gear that might be shaping your sound without you knowing it.

    Of course, it wouldn’t be an Inside the Recording Studio episode without a dash of humor. Whether they’re poking fun at one-trick ponies, laughing about the “magic plugin” myth, or getting sidetracked by unexpected audio interface troubleshooting stories, Chris & Jody keep it real, relatable, and relevant.

    And don’t miss Friday Finds, where the guys shine a spotlight on fresh tools, surprising workflows, and even a laugh or two about the gear rabbit holes we all fall into.

    If you’ve ever wondered whether your mixes should scream “this is me” or disappear into the artistry of the track, this episode is your permission slip to challenge your assumptions. Tune in, laugh a little, and leave with practical insight to level up your engineering game.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • The Truth About Gear Addiction: Do You Really Need All Those Plugins?



    Confession time: how many compressor plugins do you actually need? One? Two? Six? Let’s be real—you probably have a “go-to” compressor and five others you bought during a flash sale because someone on YouTube said it was life-changing. Don’t worry, you’re not alone. Chris and Jody are right there with you in this week’s episode of Inside the Recording Studio, tackling the hilarious, slightly painful truth about gear addiction in music production.

    Let’s paint the picture. You open your DAW, scroll through your plugin folder, and realize you’ve somehow collected enough EQs to start your own virtual museum. You tell yourself each one “has a different color” (translation: it’s slightly shinier than the last). Meanwhile, your mixes still hinge on the same three plugins you’ve used for years. And guitars? Don’t even start. That “backup” guitar? It has three backups of its own.

    This episode is all about calling out the obsession we all share—the need to collect, collect, and collect some more. Chris and Jody ask the uncomfortable but necessary questions:

    • Does more gear actually make you a better mixer or songwriter?
    • Why do we keep buying shiny new toys while ignoring the hidden features in studio gear we already own?
    • And when is “just in case” actually code for “I’ll never use this, but it looks cool in my rack”?

    They’ll swap stories about plugin overload, forgotten purchases, and the sobering reality of discovering licenses for tools they don’t even remember buying. (Yes, it happens.) They’ll also share practical ideas on how to prune your collection, focus on what actually improves your workflow, and get back to what matters most—making music, not scrolling menus.

    But don’t expect a lecture. This is Inside the Recording Studio, after all. You’ll get plenty of laughs, playful digs at gear addiction, and the kind of nonsense that makes self-reflection just a little less painful. After all, admitting you might be a gear hoarder is easier when Chris and Jody are joking right along with you.

    At the end of the day, this episode isn’t about shaming you for that seventh guitar pedal or your fifth reverb plugin. It’s about reminding ourselves that great music comes from skill, creativity, and intent—not the size of your plugin folder. Or as Chris and Jody put it: too much gear sometimes means too little music.

    So before you buy that next “essential” bundle, hit play on this brutally honest (and very funny) conversation. Your wallet—and maybe your mixes—will thank you.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Saturation vs. Distortion: How to Enhance Your Mix With Grit



    Who says distortion is just for shredders in leather pants? This week, Chris & Jody are here to spill the beans on how creative distortion in mixing can spice up any track. Think of it like hot sauce: a little goes a long way, but sometimes you just want to drench everything.

    They start by serving up the obvious—guitar tones that roar and scream—but then they ladle distortion all over the mix. Bass that rattles, vocals that snarl, even drums that sound like they’re trying to escape the speakers. It’s chaos, but the good kind.

    Along the way, you’ll get recording setup tips for pulling this off with your home studio gear without blowing up your interface (unless you want to). They’ll also expose a few hidden features in studio gear that can surprise you when you push them past polite levels.

    And of course, no episode is complete without their signature nonsense, wisecracks, and a Friday Find that will have you itching to experiment the moment you hit stop.

    This isn’t “Distortion 101.” This is distortion with swagger.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Life Behind the Kit: Christopher Allis on Being a Career Drummer



    What’s it really like to make a living behind a drum kit? Chris & Jody corner Christopher Allis and get the dirt—from his first bash at the skins to rubbing shoulders (and sticks) with big-name acts. Expect road stories, studio quirks, and a few laughs about the less glamorous side of the music grind. This is Part One of the chat, and it’s loaded with tasty fills, candid confessions, and enough inspiration to make you dust off that snare you’ve been ignoring. Spoiler: yes, we talk about home studio gear and the weird things drummers pack on tour.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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