Chris and Jody delve into the complex and often misunderstood world of sampling in music production. We’re lifting the curtain on the moral and legal realities of using samples to create new musical works, exploring the creative freedoms, potential pitfalls, and the ethical considerations that every artist and producer should be aware of.
🎵 Sampled Soundscapes: The Artistic Tapestry of Sampling: Let’s begin our journey by celebrating the creative power of sampling. From iconic hip-hop beats to electronic masterpieces, samples have been the backbone of several hit songs. We’ll discuss the artistry behind sampling and its role in shaping the diverse musical landscape.
📜 Legal Harmony: Navigating the Copyright Maze: Unravel the legal complexities of sampling, from securing proper permissions to the intricacies of fair use. Our exploration will include insights into the potential legal consequences of unauthorized sampling. Knowledge is power, and understanding the legal landscape is crucial for every aspiring producer.
🤔 Moral Dilemmas: Balancing Artistic Expression and Respect: As creators, we must also grapple with the moral implications of sampling. Is there a line between homage and appropriation? How can artists pay homage to their influences while respecting the original creators? Join us as we navigate the gray areas of artistic expression and cultural appreciation.
⚖️ Legal Loopholes and Best Practices: Discover best practices for using samples responsibly. We’ll explore the world of royalty-free samples that can help you stay on the right side of the law while still unleashing your creative potential.
🗣️ Join us on this thought-provoking audio adventure as we uncover the moral and legal realities of sampling in music creation. Whether you’re a seasoned producer or just starting your musical journey, understanding the ethical considerations of sampling is essential for creating with integrity and staying in tune with the ever-changing music industry landscape.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody go for the noise, pink noise that is. What is pink noise? How does it differ from white noise? Is it useful for mixing? Is it a good learning tool? What is the process for using it to mix? All these questions are considered, plus a whole lot more as it relates to pink noise and using it to improve your mixes.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody reflect on all the tools we have available to us to create, produce, mix and master music today. Do we have too many options? Are all of them needed? Is there a healthy balance to the tools we have and how often we use them? Come on in and find out how they deal with the overload that exists today.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody get down and dirty as helpful producers when it comes to songwriters having writer’s block in the studio. Obviously not a great problem to have. Here we dole out 10 ideas to help alleviate writer’s block in all kinds of ways. Plus there’s even a story about a famous composer / producer that might make you hurl.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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