Inside the Recording Studio - Tips to improve your recording

September 4, 2026

DAW

Pan Law Settings: Choose the Right One for Your Mix

Congratulations, your mix sounds great. Now would you like an obscure setting called a pan law to quietly mess with it?

Chris & Jody are digging into one of those recording topics that sounds suspiciously like something invented to make audio harder than necessary: pan laws. They exist. They matter. Sometimes. And if you have no idea what yours is set to, welcome to the club.

So why do pan laws even exist?

That question kicks off this episode of Inside the Recording Studio as Chris & Jody work through the mystery of pan law settings and what happens when you start moving sounds around your mix. Something as basic as panning left, right, or center can interact with level in ways that are easy to miss until your carefully crafted balance starts behaving differently than expected.

That is where things get interesting.

Different pan law settings can produce different results, which means understanding what your setup is doing can save you from wondering why a mix changed when all you thought you were doing was panning something.

Chris & Jody break the subject down without turning the episode into an audio engineering textbook. Instead, expect the usual combination of useful explanations, nerdy insights, sarcasm, and nonsense. Somehow, between all of that, pan laws start making sense.

The real question is not whether you can memorize every possible detail about pan laws. It is whether you understand them well enough to know when they matter.

That means looking at why these settings exist, what the different choices are doing, and how they can affect mix balance. Once you understand the relationship, you are much less likely to have one of those moments where something in your mix seems wrong and you cannot figure out what changed.

And because apparently understanding one hidden part of your recording setup is not enough for one episode, Chris & Jody also bring you Friday Finds.

This time, the fun continues with hidden features in studio gear. You know, those features buried inside something you already own that can suddenly give you another excuse to poke around your setup instead of finishing the mix.

It is educational. Probably.

So if pan laws have always been one of those settings you noticed but never really understood, this episode is your chance to fix that. Find out why they exist, when they matter, and how to keep them from wrecking the mix balance you spent all that time building.

Listen now, check what your own pan law is doing, and subscribe to Inside the Recording Studio for more practical studio talk, mixing insights, Friday Finds, and just enough nonsense to keep the technical stuff entertaining.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
August 28, 2026

Workflow

Studio Gear Choices: When Too Much Slows You Down

You absolutely need another compressor plugin. The other six are probably lonely.

At least, that is the kind of logic Chris & Jody put under the microscope in this episode of Inside the Recording Studio. Because somewhere along the way, building a studio can quietly turn into collecting home studio gear like you are preparing for a recording emergency that may never happen.

One guitar needs a backup.

Naturally, the backup needs a backup.

And apparently that guitar needs another backup because… reasons.

Plugins are even easier. There is always another compressor, EQ, effect, or shiny new tool waiting to convince you that this one will finally make everything sound better. Meanwhile, buried somewhere in your existing collection are hidden features in studio gear you have never touched.

Possibly because you forgot you owned the gear in the first place.

Chris & Jody dig into that wonderfully ridiculous cycle of collecting more stuff while barely scratching the surface of what is already available. It is part gear obsession, part studio reality check, and part admission that musicians and engineers can be very good at finding reasons to acquire another toy.

But there is a serious question underneath the jokes.

Does having more gear actually make your mixes better?

Sometimes it might. Having the right tool matters. But having twenty versions of the same basic tool does not automatically give you twenty times the ability. At some point, another choice is simply another choice.

And choices add up.

Instead of working on the music, you can end up searching through plugins. Instead of learning one tool deeply, you bounce between ten. Instead of discovering what your current recording setup can do, you start wondering what you should add to it.

That is where Chris & Jody flip the question around.

What if the next great addition to your studio is something you already own?

Open that plugin you ignored. Look through the features on the gear sitting beside you. Find the tool you bought because it looked amazing and then somehow never learned. There may be more hiding inside your current setup than you remember.

And yes, your wallet will probably appreciate the experiment.

This is not an anti-gear episode. Gear is fun. Plugins are fun. Guitars are fun. The absurdity starts when collecting all of it gets in the way of the reason you wanted a studio in the first place.

Making music.

So before you buy compressor number seven, spend some time with compressors one through six. One of them might already do exactly what you need.

Subscribe to Inside the Recording Studio for more recording setup tips, studio truths, gear talk, and occasional nonsense from Chris & Jody.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
August 21, 2026

Workflow

Creative Distortion: Dirty Up Guitars, Bass and Drums

Apparently guitars have been hogging the distortion for far too long, so Chris & Jody have decided it’s time to redistribute the dirt.

Welcome to another episode of Inside the Recording Studio, where clean audio is perfectly acceptable right up until somebody decides it needs hot sauce.

This time, Chris & Jody are talking distortion. Yes, guitar distortion is invited. Obviously. But stopping there would be far too sensible. Bass gets distortion. Drums get distortion. And distortion on vocals? Absolutely. Why should guitar players have all the fun?

The idea is simple: distortion does not have to belong to one instrument or one style of music. You can use it as another creative tool when shaping sounds in your studio. Sometimes a little dirt is exactly what a track needs.

Or maybe a lot of dirt.

We’re not judging.

Chris & Jody take the hot sauce approach to the subject. Sprinkle some on and see what happens. The goal is not to turn every recording into a fuzzy mess. It’s to stop assuming that distortion has only one job. When you start trying it on guitars, bass, vocals, and drums, you give yourself more ways to change the character of the sounds already sitting in your session.

That’s where creative distortion becomes interesting.

If you’re working with home studio gear, experimentation is part of the fun. You already have tracks in front of you. Why not find out what happens when something that normally stays clean gets a little less polite?

Vocals can get dirty. Bass can get nasty. Drums can apparently be fried too.

Somewhere, a perfectly clean waveform is becoming nervous.

Along the way, Chris & Jody keep the conversation practical while providing the expected amount of nonsense. Because if you’re going to talk about intentionally adding distortion to perfectly usable audio, you might as well enjoy yourself while doing it.

And after all that sonic abuse, Friday Finds returns.

That means once Chris & Jody have encouraged you to start throwing distortion around your mix, they’ll also give you some new toys to investigate afterward. Responsible? Maybe not. Fun? That’s another matter.

The takeaway is not that everything needs distortion. It’s that distortion deserves a wider job description. If you’ve automatically associated it with guitars and metal, there are bass tracks, vocal tracks, and drum tracks waiting to challenge that idea.

So open a session, find something suspiciously clean, and consider adding a little dirt.

Subscribe to Inside the Recording Studio for more studio tricks, home studio gear talk, Friday Finds, and the occasional questionable decision that somehow makes the mix more interesting.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com