Sample rates: the numbers everyone argues about, few people fully understand, and almost everyone has accidentally overused at least once. In this episode of Inside the Recording Studio, Chris and Jody pull the curtain back on digital audio’s favorite bragging rights metric and ask a simple question, why are we even doing this?
They start at the beginning, breaking down what a sample rate really is without turning it into a math lecture. From there, they explain why 44.1kHz and 48kHz became the standards they are today, and why jumping straight to higher rates isn’t the flex some people think it is. If you’ve ever felt tempted to crank your session up “just in case,” this episode might save your CPU, and your patience.
Jody digs into the practical side effects of higher sample rates: bigger files, heavier processing demands, and fewer plugins running before your system taps out. Chris adds a perfectly on-brand story about someone recording at 192kHz purely to look impressive. The result? A stressed-out system, bloated storage, and absolutely no audible win. Cool story, though.
For anyone running home studio gear, this conversation cuts straight to what matters. Chris and Jody explain why upsampling won’t fix bad recordings, why converting sample rates mid-session is asking for trouble, and how to choose a rate that fits your actual delivery needs. These recording setup tips aren’t theoretical, they’re the kind of advice you wish you’d heard before opening that first template.
They also touch on how sample rate choices ripple through your workflow, from plugin performance to session compatibility. Whether you’re collaborating with others or bouncing between music and video projects, knowing when to stick with a standard rate can keep everything moving smoothly.
As usual, there’s no gear-snobbery here. Chris and Jody aren’t interested in telling you what’s “pro”, they’re interested in what works. The goal isn’t bigger numbers. It’s clean audio, stable sessions, and decisions you don’t have to second-guess later.
Stick around for the Gold Star word, check out this week’s Friday Finds, and walk away knowing exactly why your next session doesn’t need to run at the highest sample rate your interface allows. Subscribe for next week’s studio sanity check.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com