• Christopher Allis Part 2 Behind the Kit and Beyond

    Some conversations deserve more than one episode, and this is one of them.

    Chris and Jody return with the second half of their conversation with Christopher Allis, diving even deeper into the experiences that have shaped his life as a professional drummer. If Part One explored the road that led him to a career in music, Part Two digs into what keeps that career moving. Through stories from memorable live performances and thoughtful reflections on studio work, Christopher shares the lessons that only years of experience can provide.

    One of the strongest themes throughout this episode is the connection between performing live and succeeding in the studio. Christopher explains how precision, preparation, and consistency become just as important during a recording session as they are in front of an audience. The discussion stays grounded in practical experience, making every story relevant whether you’re behind a drum kit, producing tracks, or simply trying to improve your own creative process.

    Chris and Jody continue to guide the conversation with curiosity and humor, giving Christopher the space to reflect on both successes and mistakes. Those honest moments become some of the episode’s most valuable takeaways, reminding listeners that growth often comes from learning what didn’t go according to plan.

    The conversation also explores the challenge of balancing life on the road with maintaining creativity in the studio. Christopher offers insight into how professional musicians adapt to different environments while continuing to deliver their best performances. Those experiences translate into practical ideas that listeners can apply to their own work, whether they’re building a home studio or simply looking for better recording setup tips.

    Another highlight is hearing Christopher discuss the artists he’s collaborated with over the years. Rather than focusing on names alone, he shares the lessons those collaborations taught him about professionalism, preparation, and making every musical opportunity count.

    This finale completes a conversation that covers far more than drumming. It becomes a broader discussion about discipline, creativity, and the mindset required to build a lasting career in music. Whether you’re searching for inspiration, practical studio knowledge, or simply enjoy hearing experienced musicians swap stories, there’s something here worth taking with you.

    Subscribe to Inside the Recording Studio and explore the rest of our episodes for more conversations that help you make better music.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Christopher Allis Talks Touring Recording and Growth



    Every great recording starts long before the record button is pressed.

    This week on Inside the Recording Studio, Chris and Jody welcome drummer Christopher Allis for an honest conversation about what it really takes to build a career as a working musician. From his earliest gigs through performing with some of the coolest artists on the circuit, Christopher walks us through the experiences that shaped both his playing and his professional mindset.

    Rather than focusing only on drums, this episode explores the bigger picture of becoming a better musician. Christopher shares how every performance became another lesson, showing how preparation, consistency, and paying attention to the little details can create opportunities that last throughout a career. Whether you’re chasing your first paying gig or you’ve been recording for years, there is something here that will challenge the way you think about growth.

    Chris and Jody keep the conversation moving with plenty of thoughtful questions while giving Christopher room to tell the stories behind his journey. The discussion stays practical, making it easy to connect the lessons from the stage to the studio. If you’ve ever wondered why some musicians seem to make every recording session run smoothly while others struggle, you’ll appreciate Christopher’s perspective on the habits that make the difference.

    The conversation also dives into the relationship between live performance and the recording session. The skills developed in front of an audience often carry directly into the studio, and Christopher explains how experience performing live influences confidence, preparation, and decision making once the microphones are on.

    One of the highlights of the episode is simply hearing three experienced musicians talk openly about the realities of building a music career. The chemistry between Chris, Jody, and Christopher keeps the discussion relaxed while never losing sight of practical advice that listeners can immediately apply.

    There was so much valuable ground to cover that the conversation naturally expanded beyond a single episode. Instead of rushing through the stories and lessons, the team chose to split the interview into two parts, allowing every insight room to breathe. This episode is the first half of that conversation, setting the stage for what is still to come.

    If you’re interested in becoming a stronger musician, improving every recording session, or simply hearing the real experiences of a career musician, this episode delivers practical insights without unnecessary fluff.

    Subscribe to Inside the Recording Studio so you won’t miss Part Two of this conversation.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Recording Setup Tips for Better Side Chaining



    Everyone talks about side chaining like it’s some secret club. Good news. There isn’t a password.

    This week Chris and Jody tackle one of the most talked about mixing techniques in music production and prove it isn’t nearly as scary as the internet sometimes makes it sound. Side chaining can make a muddy mix breathe, help your kick and bass stop fighting, and even add movement that makes a track feel more alive. Once you understand it, you’ll probably wonder why you waited so long.

    The fun begins with a simple explanation of what side chaining actually does. No confusing textbook definitions. No impossible engineering vocabulary. Just a straightforward conversation about how one signal can control another and why that matters when you’re trying to build a better mix.

    Then the practical part begins. Chris and Jody explain how to set up side chaining in a DAW so you can start experimenting immediately. They don’t stop there either. If you’re working with an MPC Live, they also cover how the same concepts translate into hardware so you’re not limited to one production environment.

    Along the way they share creative ways to use side chaining beyond the obvious kick and bass trick. Want a cleaner vocal mix? Looking for synth parts that pulse with the groove? Trying to make crowded arrangements feel less crowded? You’ll come away with several ideas that you can try on your own projects without needing a complicated setup.

    Naturally, no episode would be complete without Chris and Jody bouncing jokes back and forth while explaining the serious stuff. Their signature banter keeps the conversation light even while covering important recording setup tips. They also point out several common mistakes that producers make when learning side chaining so you can skip the frustration and get better results faster.

    And because no Inside the Recording Studio episode is complete without a little randomness, they also deliver the promised nonsense at absolutely no extra charge. It wouldn’t feel right otherwise.

    The episode closes with another round of Friday Finds, giving you another chance to discover something interesting that might become part of your own recording workflow.

    Whether you’re brand new to compression, trying to understand why side chaining is everywhere, or simply looking for fresh music production ideas, this conversation gives you practical techniques instead of complicated theory. Everything is presented in a way that’s easy to understand and immediately useful.

    Hit subscribe to Inside the Recording Studio and come back next week for more practical recording knowledge, useful studio tips, and whatever unexpected nonsense Chris and Jody decide to include.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Reference Tracks That Make Every Mix Better



    Think your latest mix is perfect?

    Cool.

    Now compare it to a commercial release.

    That’s exactly what Chris and Jody tackle in this week’s episode of Inside the Recording Studio, where they explain why reference mixes are one of the best reality checks available to anyone making music. Spoiler alert: using reference tracks isn’t cheating. It’s something professionals do every day because ears get tired, perspective disappears, and confidence has a funny way of turning into overconfidence.

    During the episode, Chris and Jody break down how to pick reference tracks that actually help instead of sending you down endless rabbit holes. The goal isn’t to clone someone else’s sound. It’s to understand how your own mix stacks up in the areas that matter most.

    They explain what you should actually be listening for when making comparisons. Sure, EQ matters, but that’s only part of the picture. Balance, dynamics, clarity, depth, and overall presentation all deserve attention if you want mixes that translate outside your studio.

    The discussion also covers recording setup tips for building reference listening into your workflow without turning every session into an endless cycle of second-guessing. A few smart habits can help you make faster decisions while keeping your creativity intact.

    Chris and Jody also highlight plugins that make reference monitoring simpler and more efficient. Having dedicated tools can remove unnecessary friction so you spend less time wondering whether your mix is headed in the right direction and more time actually finishing it.

    Whether your home studio gear consists of a bedroom setup or something considerably larger, these ideas apply to every mixing environment. Better decisions don’t come from buying more equipment. They come from listening with purpose.

    Naturally, the technical discussion comes with the usual Chris and Jody personality, complete with a little nonsense to keep things entertaining before this week’s Friday Finds make another appearance.

    If you’ve been wondering why your mixes sometimes sound amazing in your room but different everywhere else, this conversation may be exactly the perspective you’ve been missing.

    Hit subscribe, keep your favorite reference tracks nearby, and come back next week for more practical recording setup tips that help you mix with greater confidence.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

© 2020-2026 Inside the Recording Studio