• A Beginners Guide to the Anatomy of a Synth



    Chris and Jody ring in 2021 with talking about the elements that make up the anatomy of a synth. The pieces parts so to speak from a signal flow concept. Think of it as an overview of the beginning to understanding synthesis. They also kick off the year with their first Friday Find – what will it be? Plus learn what this week’s Goldstar word is – will you win? It is also not unlikely that some nonsense will be discuss as well.

    Shoutout to: Dan Worrall

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • More than you wanted to know about Delay Delay Delay



    Delay: A Not-So-Late Introduction to One of Music’s Most Iconic Effects

    This week on Inside the Recording Studio, Chris and Jody finally arrive at a long-awaited topic — delay — with just a touch of poetic irony, since the episode itself was… delayed.

    But let’s be honest: when it comes to creating space, depth, and vibe in your recordings, delay is a powerful (and often misunderstood) tool. In this episode, Chris and Jody provide a broad-strokes overview of delay’s evolution — from early tape echo machines to modern digital models — and break down the most common types of delay, including slapback, ping-pong, stereo, analog, and digital.

    Think of this one as your beginner’s guide or a refresher course, whetting your appetite for future deep dives into specific delay units, plugin picks, and creative routing ideas.

    Whether you’re crafting ambient textures, doubling vocals, or just trying not to drown your mix in repeats, this episode gives you the starting knowledge to use delay more musically and with more intent.

    Stick around for this week’s Friday Finds, the Gold Star word, and — as always — a little bit of classic Chris & Jody nonsense.

    Shoutout: John Lennon, Pink Floyd, Oil Can Delay

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Record Bass with Direct Input: Tips for Clean Low End



    Bass, Direct: How to Nail Your Low End With DI Recording

    This week on Inside the Recording Studio, Chris and Jody dig into a foundation-shaking topic: recording bass using Direct Input (DI) techniques.

    Whether you’re working with a classic electric bass or an acoustic fitted with pickups, DI is a go-to method for clean, tight low-end. But what exactly does “going direct” mean — and why should you care? Chris and Jody walk through the various ways to record DI bass, from basic interface inputs to high-end DI boxes and preamps.

    You’ll hear when and why DI is the right move, how to get the best tone without re-amping, and why understanding impedance, gain staging, and your gear’s signal path can make or break your final mix. This episode is perfect for anyone looking to improve their low-end clarity, tighten up their tracking workflow, or finally figure out why their bass sounds like a soggy pillow.

    And of course — there’s bound to be a little nonsense along the way.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Overview of Reverb: It’s More Than an Effect — It’s a Space



    Reverb: The Space Your Mix Has Been Waiting For

    This week on Inside the Recording Studio, Chris and Jody step into the sonic void to explore one of the most essential and ear-catching effects in music production: reverb.

    Whether you’re working in a bedroom studio or a commercial space, reverb is often the first “wow” effect added to a track — and for good reason. But not all reverb is created equal. In this episode, Chris and Jody break down the different types of reverb (plate, room, hall, spring, convolution, and more), and share practical insights into when and why to use each one.

    From lush vocals to massive drum rooms, they unpack how reverb helps create depth, atmosphere, and that elusive “finished” sound. You’ll also hear their personal go-to uses, reverb chain strategies, and a few hot takes on when not to reach for it.

    Of course, it wouldn’t be Inside the Recording Studio without a few laughs, some playful nonsense, and this week’s Gold Star word — hidden somewhere in the ambient mist.

    Stick around for Friday Finds, where Chris and Jody each bring a new tool or tip that could give your mixes more space and clarity (and maybe even a few more fans).

    Shoutout: Benjamin Layton, Chris Bjornn, Liquid Sonics

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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