• Recording Setup Tips: Studio Myths That Waste Your Money



    Studio Myths, Busted: From Oxygen-Free Cables to DAW Snobbery

    In this episode of Inside the Recording Studio, Chris & Jody grab the magnifying glass and bust some of the most persistent (and occasionally hilarious) studio myths floating around the audio world. From oxygen-free cables and high-priced USB voodoo to the age-old “my DAW is better than your DAW” debate, it’s all on the table—and nothing is safe.

    Whether you’re a home studio warrior or a seasoned engineer, chances are you’ve heard (or believed) one of these. This episode helps separate audio fact from fiction, save you money, and possibly even save you from embarrassing gear conversations.

    But don’t worry—it’s not just a takedown. Chris & Jody bring real-world context, technical clarity, and their usual dose of dry wit and studio-side sarcasm. Plus, of course, they sneak in some of their favorite Friday Finds along the way.

    Get ready to laugh, learn, and maybe let go of a few long-held beliefs. This is your no-BS guide to smarter studio decision-making.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Talkin About Stems And Multitracks – What’s The Flippin Difference?



    Stems vs. Multitracks: What You Think You Know Could Cost You a Gig

    Whether you’re collaborating with a producer across the globe, handing off a session for mixing, or prepping files for licensing, knowing the difference between stems and multitracks is more than semantics—it’s about sounding like a pro. In this episode of Inside the Recording Studio, Chris & Jody clear up the confusion and break down how to share projects properly, the right way.

    You’ll learn:

    • When to send stems vs. multitracks
    • How to prepare files for remote mixing or mastering
    • What clients or collaborators really mean when they ask for “the stems”
    • Why understanding terminology can help avoid embarrassment—and lost opportunities

    Plus, some real-world stories from the trenches, a few laughs, and your weekly Friday Finds.

    Whether you’re working in your bedroom or a commercial room, this episode gives you the edge you need to speak the language of studio professionals and avoid costly mistakes in project handoffs. And yes, there’s probably going to be a little nonsense along the way (you’ve met Chris & Jody, right?).

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Loops: the Good, the Bad and the Ugly



    Loops: Lazy Shortcut or Secret Weapon? You Decide.

    In this episode of Inside the Recording Studio, Chris & Jody unravel the loop-shaped mystery behind one of music production’s most debated tools: loops. Whether it’s a killer drum groove, chopped vocals, or a moody synth riff, loops have found their way into every corner of modern music—and this episode explains why that’s not a bad thing.

    Is using loops cheating? Spoiler: It’s not that simple. Chris & Jody share production tips, creative strategies, and a bit of loop history to help you better understand how to use loops ethically, legally, and effectively. You’ll hear real-world examples, insider tricks, and even some copyright pitfalls to avoid if you’re slicing, dicing, or sampling your way to a hook.

    From beginner beatmakers to seasoned engineers, anyone working with home studio gear or navigating recording setup tips will come away with a deeper appreciation of how loops can elevate—or sink—a production.

    Also, don’t miss this week’s Friday Finds, the elusive Gold Star Word, and a dose of loop-induced nonsense that only Chris & Jody could deliver.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Get Live Sound Gigs and Survive the Road with Special Guest Raymond Gronvall



    Studio Walls or Stage Monitors? A Veteran’s Take on Sound That Travels

    This week on Inside the Recording Studio, Chris & Jody are joined by live sound maestro Raymond Gronvall—a seasoned vet whose resume stretches from high-decibel tours to finely tuned studio sessions.

    Together, they pull back the curtain on the real-world differences between live sound engineering and studio production. From the adrenaline-fueled chaos of mixing FOH (front-of-house) to the meticulous precision of crafting mixes in controlled studio environments, Raymond breaks down what separates the two—and where they overlap in unexpected ways.

    Plus, hear firsthand how Ray lands high-profile gigs, adapts on the fly, and still finds ways to keep it fun on the road. Whether you’re just building your home studio gear, navigating recording setup tips, or secretly eyeing that live FOH board at your next gig, this episode has something to level up your audio know-how.

    Oh, and as always… expect a touch of nonsense. It’s how we roll.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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