• How To Get Your Recording Environment Treated – What To Do When You Want Better Recordings



    The best microphones, preamps, and plugins won’t save a mix if your room is working against you. In this episode of Inside the Recording Studio, Chris & Jody break down the essentials of recording room treatment—helping you transform your studio space into an environment where your mixes actually translate.They start with the foundation: monitor speakers. Where you place them in the room matters as much as which brand you choose. Chris & Jody walk through optimal placement strategies and explain how speaker position interacts with your walls, ceiling, and even the furniture in your studio.Next comes the mirror test—a simple, practical method to identify reflection points in your space. The guys explain how to use it, why it works, and what it tells you about where treatment should go.But what about foam panels? Are they the budget-friendly fix we’re all tempted to buy, or are they overrated? Chris & Jody compare foam, fiberglass, and other materials, breaking down what works, what doesn’t, and where each should go in your room. From wall treatments to ceiling clouds, they share recording setup tips that will help you achieve better clarity, tighter low end, and more accurate monitoring.And because they’re Chris & Jody, it’s not just a lecture—it’s sprinkled with humor, personal anecdotes, and the usual nonsense. To wrap it up, they deliver a supersized Friday Find, spotlighting something that could make a big difference in your workflow.If you’re building a space around home studio gear, upgrading a professional setup, or simply curious about why your mixes don’t sound the same outside your studio, this episode is packed with actionable advice. Proper acoustic treatment isn’t about spending a fortune—it’s about knowing what to do and why it matters.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • The Rise And Fall And Rise Of The Mini Moog (And Why It’s Still Important)



    Wood panels. Black knobs. Three oscillators humming like electricity in a dream. The Mini Moog was not just a synthesizer—it was an invitation to imagine.

    In this episode of Inside the Recording Studio, Chris & Jody explore the myth and the machine. They tell of its birth: modular monsters made small, sound sculpting compressed into something a musician could carry, touch, play. They describe its magic—filters that sing, oscillators that roar, warmth that feels alive.

    They recount the artists who gave it a voice: Stevie Wonder weaving melodies, Kraftwerk building machine symphonies, funk bands sending basslines into orbit. The Mini Moog became not just an instrument, but a movement.

    Between laughter and nonsense, between history and humor, Chris & Jody remind us why certain tools transcend their time. Their Friday Finds punctuate the journey—modern discoveries alongside vintage legend.

    The Mini Moog is not just a relic. It is a story still unfolding in studios, homes, and hearts.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • What are Impulse Responses, How to Use Them, and What is the Best Software for Implementing IRs in a mix?



    IRs. No, not “instant ramen” (though Chris & Jody would probably talk about that too). We’re talking impulse responses—those pesky little files that can make your guitar cabinet sound like it was recorded in Abbey Road or turn your closet into a cathedral.

    In this week’s Inside the Recording Studio, the guys take a listener request and dig into the what, why, and how of IRs. What are they really? Why should you care? And who’s out there making the good ones versus just selling you snake oil?

    They’ll explain how to use IRs in convolution reverb, why guitarists are obsessed with cabinet IRs, and how producers sneak them into mixes for everything from realism to creative madness. You’ll also get a few recording setup tips and some laughs about what happens when you don’t know what you’re loading (hint: chaos).

    Naturally, nonsense makes an appearance, and their Friday Finds give you some freebies and gems to try right now.

    So if you’ve ever wondered what impulse responses actually do, or just want to know why everyone keeps talking about them, this episode will fill you in—minus the boring textbook vibes.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • A Deep Dive into the iZotope NeoVerb Reverb Plugin: An Audio Dream in the Making



    Reverb plugins are everywhere, but every once in a while, one comes along that tries to stand out. Enter iZotope NeoVerb. In this episode of Inside the Recording Studio, Chris & Jody roll up their sleeves and dig into what makes this reverb different, why it matters, and whether it deserves a place in your plugin folder.

    They begin with a look at the user interface (UI)—how its clean design and intuitive layout help speed up workflow, even for engineers who are used to complex reverb tools. From there, they walk through the unique features that set NeoVerb apart, like its intelligent reverb blend pad, advanced EQ controls, and tools that make it easier to carve out space in a mix without drowning tracks in mud.

    Of course, this isn’t just a tech demo. Chris & Jody share recording setup tips and real-world use cases where NeoVerb can shine, from subtle vocal ambience to creating immersive soundscapes. They also discuss how it fits into today’s landscape of reverb plugins, comparing it to classics and pointing out the hidden features in studio gear that users often overlook.

    But it’s not all praise—expect an honest discussion of what works, what doesn’t, and when another tool might still be a better fit. And because this is Inside the Recording Studio, there’s humor, candor, and yes, some nonsense woven throughout.

    As always, the episode wraps up with their Friday Finds, where Chris & Jody highlight tools, plugins, or resources worth exploring.

    Whether you’re running home studio gear and looking for versatile plugins, or a seasoned pro wanting to experiment with something fresh, this episode gives you the insight (and entertainment) you need to decide if NeoVerb is worth your time.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

© 2020-2025 Inside the Recording Studio