In this episode Chris and Jody team up for a deep dive into the world of reference tracks—essential tools for both music production and songwriting emulation.
What exactly are reference tracks, and how can they elevate your creative process? Chris and Jody share their personal approaches to using them, shedding light on how these tracks can inspire production techniques or spark songwriting ideas. They’ll also explore the art of emulation: why borrowing inspiration from your favorite tracks can be a game-changer and how to do it without losing your originality.
But it’s not all smooth sailing—there are pitfalls to avoid when incorporating reference tracks into your workflow. Whether it’s over-reliance or misaligned expectations, Chris and Jody offer practical advice on what to avoid and where these tracks best fit into your process.
With expert insights, subtle humor, and actionable tips, this episode is a must-listen for anyone looking to fine-tune their creative workflow. Tune in to get inspired and make reference tracks work for you!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
🎙️ A thought-provoking episode where Chris and Jody dive deep into the art of production balance! This time, we’re tackling the often-debated concepts of underproduced and overproduced mixes. What do these terms really mean, and how do they impact your final sound?
Join us as we explore:
- What makes a mix underproduced: How minimal arrangements can leave a song feeling flat or incomplete, and how to identify when more layers or production elements are needed.
- What makes a mix overproduced: When too much is happening in the mix—whether it’s excessive effects, over-layering, or crowded instrumentation—and how this can drown out the song’s essence.
- Our first steps in dealing with both types of mixes: Learn how we approach both underproduced and overproduced tracks to bring them back to life. From stripping things down to building them up, we share our go-to strategies for achieving the perfect production balance.
Whether you’re dealing with a mix that’s too bare or one that’s bursting at the seams, this episode is packed with insights on finding the sweet spot that makes your music shine. Tune in and take your productions to the next level with Inside the Recording Studio! 🎧✨
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com