• How to Build a Rock-Solid Backup Workflow for Your DAW (Without Going Crazy)



    Let’s be honest: the art of doing a backup is about as exciting as dusting your studio monitors or alphabetizing cables. But nothing will make you scream into the void faster than losing a session you swear you saved. In this episode of Inside the Recording Studio, Chris & Jody grab you by the shoulders and lovingly scream, “BACK UP YOUR STUFF!”

    They dive into backup options from “cheap but risky” to “Fort Knox for audio nerds.” Drives, RAIDs, clouds, offsite bunkers—okay, maybe not bunkers, but close. You’ll hear their own cautionary tales, including technical ghosts that haunted their studios and files that pulled Houdini acts at the worst possible moment.

    The guys break down how they organize projects, why simple habits beat complicated systems, and how to build a backup routine that doesn’t feel like flossing. It’s equal parts education, comedy, and therapy for anyone who’s ever lost a take.

    And yes, Friday Finds is here to save the day with tools that keep your sessions safer than your last ex’s Netflix password.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Deal with Artists in the Studio: Psychology for Producers and Engineers



    You can have the best studio gear, but if you can’t handle artists, you might as well be recording air.
    In this episode of Inside the Recording Studio, Chris & Jody turn the faders down on gear talk and crank up the discussion on people management—because the biggest noise in the studio isn’t feedback…it’s ego.

    From the control freak who wants to tweak every EQ band to the “just tell me when it’s done” type who ghosts halfway through the mix, our hosts dissect the psychological minefield of modern recording. Expect stories, sarcasm, and a few too-relatable moments for anyone who’s ever had to smile through the fifteenth vocal take “just to be safe.”

    You’ll get smart recording setup tips to diffuse tension before it ruins your vibe, plus learn how to assert your producer instincts without flipping the studio couch. Chris & Jody even share their secret methods for reading body language faster than your DAW loads plugins.

    Stick around for this week’s Friday Finds, because there’s something free—and time-sensitive—you don’t want to miss.

    So grab your coffee, mute that talkback mic, and prepare for a crash course in studio survival psychology. This one’s for the engineers who mix music and emotions.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • From Stereo to Surround: How to Start Mixing Music in Dolby Atmos



    Dolby Atmos Mixing: Redefining the Studio Soundstage

    Once reserved for blockbuster cinemas, Dolby Atmos is now rewriting the rulebook for how we create and experience music. In this episode, Chris & Jody unpack what mixing in Atmos really means for the modern producer — from recording setup tips and home studio gear requirements to the creative freedom of 3D sound.

    They’ll walk you through the tech (yes, it’s more than just panning in space), explain what makes it different from stereo, and debate whether it’s the real future of mixing or just another passing phase. You’ll hear how immersive sound is reshaping everything from headphone design to distribution platforms like Apple Music, Amazon, and TIDAL—and how even indie creators can start experimenting with spatial audio without dropping Hollywood-level cash.

    With sharp insight, a dose of humor, and those signature Friday Finds, this episode gives you the full picture: the hype, the workflow, the roadblocks, and the genuine creative potential of Atmos mixing in the real world.

    Whether you’re a gearhead, a mixer looking to upgrade, or just curious about where music production is headed next—this is essential listening.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Beyond Vocals: Explore the Fascinating World of Pitch Correcting Instruments



    Chris and Jody, your sonic architects, embark on an intriguing episode, where we dive deep into the world of tuning instruments beyond vocals using pitch correction software.

    Tuning Beyond Voices: The Digital Symphony

    Join us as we explore the possibilities and considerations of tuning instruments other than vocals with pitch correction software. From guitars and bass to pianos and drums, we unravel the nuances of when, why, and how to use pitch correction, transforming your instrumental recordings into a pitch-perfect symphony.

    In the Digital Realm: Which Instruments Should You Tune?

    Delve into the decision-making process of selecting instruments for tuning in the digital realm. We’ll discuss the artistic choices and the impact of pitch correction on different instruments. Whether you’re aiming for pristine guitar chords, a perfectly tuned drum kit, or spot-on piano notes, we’ll guide you through the possibilities.

    ️ Timing is Key: When to Apply Pitch Correction

    Explore the timing considerations of using pitch correction on instruments. We’ll share insights into the optimal moments during the recording and production process to ensure instruments are in perfect pitch. From initial tracking to the final mix, learn how strategic tuning contributes to a polished and professional sound.

    Drums, Strings, and Keys: Tailoring Pitch Correction to Instruments

    Delve into the nuances of applying pitch correction to specific instruments. Whether it’s enhancing drum tone, correcting intonation in a guitar, or ensuring the perfect pitch in a keyboard, we’ll provide practical tips and techniques for tuning a variety of instruments in your digital studio arsenal.

    ️ Mastering Pitch Correction: Tips for Seamless Integration

    Navigate the world of pitch correction software with our expert advice. Whether you’re a seasoned producer or just starting your digital tuning journey, we’ve got tips and tricks to make the process seamless, effective, and tailored to each instrument.

    And, as always, be prepared for some light-hearted banter and a touch of nonsense because, in the world of audio engineering, a sprinkle of humor can make even the most technical discussions entertaining!

    Tune in to this enlightening episode as we demystify the art of tuning instruments beyond vocals using pitch correction software, providing you with the tools and insights to create a harmonious digital recording experience.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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