Ever wondered if your sessions will be accessible decades from now? In this insightful and practical episode of Inside the Recording Studio, Chris and Jody break down the essential steps for archiving DAW sessions that can stand the test of time. Join the conversation as they share must-know tips on what elements to archive, smart organization strategies, and when to archive to keep your projects ready for the future. Whether you’re a seasoned engineer or a dedicated home recordist, this episode will give you the tools to ensure your work is safe, accessible, and ready for whatever the future holds!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
In this episode of Inside the Recording Studio, Chris and Jody delve into the art of compressing electric guitars, sharing expert insights on how to get the most out of your compression tools. Whether you’re aiming for tight, punchy tones or smooth, sustained textures, understanding when and how to use compression is crucial for achieving professional-level guitar mixes.
We cover everything from subtle dynamic control to more aggressive techniques, helping you decide when it’s necessary to apply compression. Explore the nuances of track-based compression versus bus compression, and learn how these approaches can be used to add punch and clarity or glue a mix together. We also discuss our go-to compressors for electric guitars, including iconic models like the 1176 for aggressive, fast-attack control, the LA-2A for smooth, transparent leveling, the Distressor for versatility, and the SSL compressor for adding cohesion on the bus.
Whether you’re a seasoned engineer or looking to refine your skills, this episode provides practical advice on using these classic tools to sculpt your guitar tones to perfection. We’ll take you through real-world examples, showing how different compressors can shape the sound of electric guitars and when each tool shines the brightest.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
In this episode, Chris and Jody tackle a crucial challenge every producer faces: mixing tracks that come from poorly recorded and pristinely recorded sources. What do these terms mean, and how does the quality of the recording shape the mixing process?
Join us as we explore:
- What defines a poorly recorded source: Whether it’s noise, distortion, bad mic placement, or room issues, we break down the characteristics of recordings that come with inherent flaws and how to recognize them.
- What makes a recording pristine: Learn how high-quality recordings—with proper mic techniques, controlled environments, and clear sound—set the foundation for a smoother mixing process.
- Our first steps for mixing each type: We reveal our go-to strategies for bringing life to poorly recorded sources, from corrective EQ and noise reduction to creative tricks that make imperfections work in your favor. On the flip side, we share how to approach pristinely recorded sources, focusing on enhancing what’s already great and letting the song’s natural beauty shine.
Whether you’re cleaning up messy tracks or polishing already perfect recordings, this episode is packed with actionable tips and techniques to help you master both ends of the spectrum. Tune in and elevate your mixing skills with Inside the Recording Studio!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com