• Overview of Reverb: It’s More Than an Effect — It’s a Space



    Reverb: The Space Your Mix Has Been Waiting For

    This week on Inside the Recording Studio, Chris and Jody step into the sonic void to explore one of the most essential and ear-catching effects in music production: reverb.

    Whether you’re working in a bedroom studio or a commercial space, reverb is often the first “wow” effect added to a track — and for good reason. But not all reverb is created equal. In this episode, Chris and Jody break down the different types of reverb (plate, room, hall, spring, convolution, and more), and share practical insights into when and why to use each one.

    From lush vocals to massive drum rooms, they unpack how reverb helps create depth, atmosphere, and that elusive “finished” sound. You’ll also hear their personal go-to uses, reverb chain strategies, and a few hot takes on when not to reach for it.

    Of course, it wouldn’t be Inside the Recording Studio without a few laughs, some playful nonsense, and this week’s Gold Star word — hidden somewhere in the ambient mist.

    Stick around for Friday Finds, where Chris and Jody each bring a new tool or tip that could give your mixes more space and clarity (and maybe even a few more fans).

    Shoutout: Benjamin Layton, Chris Bjornn, Liquid Sonics

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Mix Templates = Faster Sessions + Better Focus



    Mix Templates: Why You Need One (and What to Put in It)

    This week on Inside the Recording Studio, Chris and Jody dive into one of the most overlooked but powerful tools in the recording and mixing workflow: the mix template.

    Ever feel like you’re wasting time setting up the same buses, plugin chains, or routing every time you open a session? Enter the mix template — your personal studio autopilot. Chris and Jody walk through how they build and customize their templates, what they include, and why these starting points help speed up the process while keeping creative momentum high.

    Whether you’re building a vocal template, a full-band starting point, or a recallable mastering setup, you’ll walk away with real-world insights into making templates that work for your gear, your style, and your sessions.

    They’ll also explain the balance between automation and intention — and yes, there will likely be a few tangents and some classic Chris & Jody nonsense along the way.

    Hit play and streamline your workflow — your future self (and your CPU) will thank you.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Use Aux Tracks and Buss Channels for Better Mixes



    Busses vs. Auxes: What’s the Difference and Why It Matters

    This week on Inside the Recording Studio, Chris and Jody break down a pair of terms that often confuse beginners and frustrate seasoned users alike: Busses and Auxes. Are they the same thing? Sort of. Are they used the same way? Sometimes. Do they matter in your mix? Absolutely.

    With their signature blend of clear guidance and lighthearted sarcasm, the duo explores what each routing option really does inside your DAW. Learn when to use a buss, when an aux is more appropriate, and how they can supercharge your workflow — whether you’re dialing in reverb, grouping instruments, or setting up parallel chains.

    Expect real-world examples, practical advice, and just enough curmudgeonly “get off my lawn!” energy to make signal routing fun again.

    Stick around for the Friday Finds segment, where Chris and Jody share their latest studio discoveries to level up your sound. And yes — the new Gold Star keyword is dropped for the week, so make sure you listen all the way through.

    As always, some nonsense may or may not occur. But that’s part of the charm.

    Shoutout to: Captain Marvel

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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