• Game-Changing Home DAW Prep: Make Your Mix Engineer Love You!



    In this friendly yet informative episode of Inside the Recording Studio, Chris and Jody dive into practical steps that musicians can take in their home DAW sessions to make mixing easier and more effective for engineers. If you’ve ever wanted to hand over cleaner, more organized tracks to your mixing engineer, this episode is packed with insights just for you. Chris and Jody break down essential practices like setting the correct sample rate, accurately naming tracks, and adjusting the tempo to perfectly match the song before hitting record. These simple yet impactful techniques can save valuable time, reduce back-and-forth communication, and ultimately lead to a better final mix. Tune in to learn how these tips will elevate your home recordings and make a lasting impression in the studio.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How Austrian Audio is Redefining Sound – An Exciting Deep Dive



    In this special episode of Inside the Recording Studio, Chris and Jody sit down with Martin Seidl, the driving force behind Austrian Audio. Join us as we dive deep into the rich history of Austrian Audio, from its roots in Vienna to becoming a key player in the pro audio world. Martin shares the fascinating story behind their flagship microphone, the OC818, discussing its innovative features and how it stands out in a crowded market.

    But that’s just the beginning – we also explore Austrian Audio’s range of high-quality microphones, headphones, and their unique approach to capturing sound. Learn about advanced miking techniques and discover how Austrian Audio’s pioneering work in spatial audio is reshaping the way we think about sound.

    Whether you’re an intermediate or advanced audio engineer, this episode offers a rare behind-the-scenes look at cutting-edge audio technology, and will give you practical insights into making the most of Austrian Audio’s tools in your recordings.

    Austrian Audio OC7070

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Mastering ≠ Mixing. Know The Line.



    Mastering vs. 2-Bus Processing: What’s the Real Difference?

    In this week’s episode, Chris & Jody dive deep into a frequently misunderstood corner of music production: the difference between mastering and 2-bus processing. Both may share the same highway, but they’re driving very different cars—and heading to distinct destinations.

    Ever wondered why you’d slap a compressor on your 2-bus during mixing, but hold off on multiband limiting until mastering? This episode breaks it all down: the philosophical and practical distinctions, what goes where and why, and how to avoid common pitfalls that trip up even experienced engineers.

    Expect a quick detour through the history of mastering, tips on signal chain decisions, and a dash of good-natured nonsense—because hey, it’s Chris & Jody.

    Stick around for their latest Friday Finds (one’s a game-changer, the other might raise an eyebrow), and see if you catch this week’s Gold Star word.

    Whether you’re polishing your mix or prepping for the master, this episode clears the fog between the two—and helps your tracks shine on both sides of the fence.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Record Bass with Direct Input: Tips for Clean Low End



    Bass, Direct: How to Nail Your Low End With DI Recording

    This week on Inside the Recording Studio, Chris and Jody dig into a foundation-shaking topic: recording bass using Direct Input (DI) techniques.

    Whether you’re working with a classic electric bass or an acoustic fitted with pickups, DI is a go-to method for clean, tight low-end. But what exactly does “going direct” mean — and why should you care? Chris and Jody walk through the various ways to record DI bass, from basic interface inputs to high-end DI boxes and preamps.

    You’ll hear when and why DI is the right move, how to get the best tone without re-amping, and why understanding impedance, gain staging, and your gear’s signal path can make or break your final mix. This episode is perfect for anyone looking to improve their low-end clarity, tighten up their tracking workflow, or finally figure out why their bass sounds like a soggy pillow.

    And of course — there’s bound to be a little nonsense along the way.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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