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The Magic of De-Essers: Say Goodbye to Sibilance and Harshness!

De-Essers: The Unsung Heroes of Smooth-Sounding Mixes

It’s not flashy. It’s not fun. And let’s face it—nobody gets excited about a de-esser. But when sibilance strikes or harshness creeps in, this humble tool can be the difference between a professional-sounding vocal and a wince-worthy one.

In this episode of Inside the Recording Studio, Chris and Jody take a non-sexy but absolutely necessary dive into the world of de-essers—what they are, why they matter, and how to wield them like a pro.

🎙️ You’ll learn:

What de-essers actually do and why your mix will thank you
The mechanics of de-essing, from simple threshold-based tools to dynamic EQ-based solutions
Top plugin picks that go beyond the default presets
When to use de-essers on instruments (hint: it’s not just for vocals)
Common mistakes and how to avoid over-de-essing the life out of your mix

This episode is perfect for anyone who’s been surprised by a sharp “S” in playback—or who just wants to make their mixes more polished and listener-friendly.

As always, expect a bit of nonsense, a lot of insight, and a new favorite from this week’s Friday Finds. Your ears (and your clients) will be happier for it.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

From Static to Dynamic: Elevate Your Mix with Expert Automation Techniques!

Moving the Faders: How Track and Region-Based Automation Can Transform Your Mixes

Automation: it’s not just a buzzword—it’s the secret sauce behind some of the most immersive mixes you’ve ever heard.

In this week’s episode of Inside the Recording Studio, Chris and Jody dive deep into the power of track and region-based automation, showing you how to breathe life, movement, and personality into your productions—without lifting a finger (well, maybe just a fader or two).

From subtle volume swells to dramatic panning shifts and time-based effect tweaks, automation allows you to sculpt emotion into your audio with pinpoint precision. Whether you’re building energy in a chorus, taming an unruly synth, or automating plugin parameters like reverb, EQ, or delay for added dimension, this episode is packed with practical tipsand creative workflows you can start using today.

You’ll learn:

The difference between track-based and region-based automation—and when to use which
How to control volume, panning, FX, and plugin settings for dynamic impact
Creative automation tricks for space, clarity, and vibe
Real-world examples of automation bringing a mix to life

As always, expect a little studio banter, a dash of nonsense, and this week’s Friday Finds—because great gear and clever tips go hand in hand.

So whether you’re mixing in a pro studio or your bedroom setup, this episode will help you take full control of your sonic universe.