• The Eye On The Prize With Adam Moseley: from the early beginnings to being a producer and more



    Great producers don’t just make records—they make careers. In this week’s Inside the Recording Studio, Chris & Jody welcome the legendary Adam Moseley for an interview packed with insights, stories, and wisdom from a life dedicated to music.

    Adam’s journey didn’t begin in a control room. He started in a studio swinging hammers and cooking meals before ever touching the faders. That persistence and humility shaped the producer he would become—one with an “eye on the prize” mentality that has carried him through decades of work with some of the world’s biggest artists.

    Throughout the episode, Chris & Jody dive into the stories: Adam’s work with Roxette, RUSH, KISS, Richard Marx, and others. You’ll hear how these collaborations unfolded, what lessons he learned along the way, and the mindset it takes to stay relevant across genres and eras.

    Of course, it wouldn’t be a gear-driven podcast without some tech talk. Adam shares the tools and home studio gear he can’t live without, along with recording setup tips that apply whether you’re running a world-class facility or producing out of your bedroom. He also touches on the hidden features in studio gear that often make the difference between a good recording and a great one.

    And because this is Inside the Recording Studio, the conversation is infused with humor, personality, and a sprinkle of nonsense. Add in this week’s Friday Finds, and you’ve got an episode that’s as entertaining as it is informative.

    If you’re curious about what it takes to succeed as a producer—or you just want to hear behind-the-scenes stories about music legends—this episode delivers inspiration, insight, and plenty of laughs.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How To Enhance Vocals With Out of Time Delays



    A perfectly clean vocal can sometimes feel… sterile. That’s where delay comes in. In this episode of Inside the Recording Studio, Chris & Jody take a focused look at vocal mixing with delay, showing you how this timeless effect can add depth, space, and character to your tracks.

    They start by explaining why delay isn’t just about echo—it’s about placement. A well-chosen delay can help a vocal sit naturally in the mix, creating contrast, rhythm, or space without burying it under reverb. The guys highlight why using unsynced delays can often produce more musical, human results than rigidly locked-in timings.

    From there, they explore different types of delay—slapback for retro vibe, ping-pong for movement, tape delay for warmth, and digital delay for precision. You’ll get recording setup tips on how to combine delays with EQ, filtering, and saturation for mixes that sound pro without clutter.

    Chris & Jody also share stories from their own sessions, including clever ways they’ve used delays to solve mix problems or create standout effects. True to their style, the episode balances technical know-how with personality, humor, and a dose of nonsense.

    And because no episode would be complete without it, they wrap up with this week’s Friday Find—and it’s a big one.

    Whether you’re experimenting with home studio gear or running a professional setup, this conversation will inspire you to rethink delay not as a background effect, but as a creative tool for enhancing vocals.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How To Create Punchier Mixes EASILY: 5 Ways To Make Your Mixes Punchier



    What separates a flat, uninspired mix from one that jumps out of the speakers? Punch. In this week’s episode of Inside the Recording Studio, Chris & Jody break down five key approaches to achieving punchier mixes, giving you practical tools and fresh perspective to level up your productions.

    They begin with the arrangement itself. Punch doesn’t just come from plugins—it starts with the instruments you choose and how they interact. Chris & Jody explain why smart arranging can do more for your mix than endless tweaking later on.

    From there, they move into dynamics. Proper control of volume peaks and valleys keeps everything in the right ballpark, balancing energy without losing impact. You’ll get recording setup tips for using compression and automation to enhance clarity rather than squash it.

    Next comes EQ, specifically the low end. Too much mud and your mix collapses, too little and it loses power. Chris & Jody share strategies for carving out frequencies so the bass and kick complement each other instead of fighting for space.

    Of course, no conversation about punch would be complete without saturation—but not the gasoline kind. Learn how harmonic distortion can add excitement and perceived loudness, giving your mix grit and character without wrecking dynamics.

    Finally, they cover phase checks—an often-overlooked detail that can make or break your low end and stereo image. You’ll discover how simple phase alignment can instantly make your mix feel more powerful and cohesive.

    As always, expect humor, nonsense, and their signature banter, plus a fresh Friday Find to round out the session.

    Whether you’re working with home studio gear or running a professional setup, these insights will help you build mixes that hit harder, sound clearer, and truly connect with listeners.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • MIC STRATEGIES: How to Get Amazing Audio with Abnormal Mic-ing



    Sound doesn’t ask for rules. It bends, it escapes, it hides in corners where no mic was meant to go.

    In this episode of Inside the Recording Studio, Chris & Jody step beyond the ordinary, exploring unusual mic’ing techniques that turn the act of recording into exploration. A guitar amp caught not just at its speaker, but at the breath of its resonance. A vocal captured through a mic not designed for voices, yet carrying emotion in unexpected ways. A drum kit reduced to three mics, sculpting rhythm with space rather than excess.

    They tell stories of experiments—some glorious, some failures, all lessons. They hint at hidden features in studio gear, the overlooked angles, the magic in limitation.

    Between the reflections come laughter, nonsense, and their Friday Finds—gifts tucked between the eccentricities of sound.

    This is not just technique. It is curiosity, creativity, and the courage to place a microphone where convention says not to.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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