• The Truth About Signature Sound in Mixing



    When you hit play on a track, should it sound like you — unmistakably branded with your sonic fingerprint — or should it morph seamlessly into whatever the song demands? In this week’s episode of Inside the Recording Studio, Chris & Jody dive headfirst into one of the most polarizing debates in audio engineering: the “signature sound” dilemma.

    For decades, producers and mix engineers have wrestled with the question: Is having a recognizable vibe a mark of mastery, or does it risk pigeonholing you into a single trick? Chris & Jody weigh the benefits of carving out a signature style that helps you stand out in an overcrowded market against the flexibility of becoming a sonic chameleon who adapts to every artist’s vision.

    Expect straight talk about industry myths, the hidden costs of always “sounding like yourself,” and why some of your favorite records do carry an engineer’s fingerprint even if you don’t realize it. This is a conversation that touches everything from home studio gear choices to recording setup tips that can push your mixes one way or another. They even uncover a few hidden features in studio gear that might be shaping your sound without you knowing it.

    Of course, it wouldn’t be an Inside the Recording Studio episode without a dash of humor. Whether they’re poking fun at one-trick ponies, laughing about the “magic plugin” myth, or getting sidetracked by unexpected audio interface troubleshooting stories, Chris & Jody keep it real, relatable, and relevant.

    And don’t miss Friday Finds, where the guys shine a spotlight on fresh tools, surprising workflows, and even a laugh or two about the gear rabbit holes we all fall into.

    If you’ve ever wondered whether your mixes should scream “this is me” or disappear into the artistry of the track, this episode is your permission slip to challenge your assumptions. Tune in, laugh a little, and leave with practical insight to level up your engineering game.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Steve Ouimette Interview: From Guitar Hero Riffs to Studio Secrets



    Part 2 of: What do Guitar Hero, blockbuster video game soundtracks, and a stack of epic TV scores all have in common? The unmistakable sound of Steve Ouimette. In this continuation episode of Inside the Recording Studio, Chris and Jody sit down with the guitarist and producer whose riffs have been quietly shaping your playlists, your binge-watching marathons, and maybe even your late-night gaming sessions.

    Steve takes us through his unlikely start in the music world and the twists and turns that led him from a young player chasing tone to one of the industry’s most in-demand session musicians. Along the way, he dishes out unforgettable stories about working behind the scenes, collaborating on major projects, and navigating the ever-evolving studio landscape.

    But this isn’t just a stroll down memory lane. Steve gets candid about the temptation to chase the hidden features in studio gear, why musicians obsess over the latest plugins, and when that obsession helps—or hurts—the creative process. With Chris and Jody guiding the conversation, you’ll hear sharp insights about staying productive in the studio, managing the chaos of gear options, and keeping the focus where it belongs: the music.

    Packed with wisdom, humor, and enough guitar-fueled energy to make you want to pick up your instrument immediately, this episode is equal parts masterclass and jam session. Whether you’re running a home studio gear setup or a full-scale production house, you’ll find nuggets of inspiration and plenty of reasons to laugh along.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Steve Ouimette Interview: From Guitar Hero Riffs to Studio Secrets



    What do Guitar Hero, blockbuster video game soundtracks, and a stack of epic TV scores all have in common? The unmistakable sound of Steve Ouimette. In this episode of Inside the Recording Studio, Chris and Jody sit down with the guitarist and producer whose riffs have been quietly shaping your playlists, your binge-watching marathons, and maybe even your late-night gaming sessions.

    Steve takes us through his unlikely start in the music world and the twists and turns that led him from a young player chasing tone to one of the industry’s most in-demand session musicians. Along the way, he dishes out unforgettable stories about working behind the scenes, collaborating on major projects, and navigating the ever-evolving studio landscape.

    But this isn’t just a stroll down memory lane. Steve gets candid about the temptation to chase the hidden features in studio gear, why musicians obsess over the latest plugins, and when that obsession helps—or hurts—the creative process. With Chris and Jody guiding the conversation, you’ll hear sharp insights about staying productive in the studio, managing the chaos of gear options, and keeping the focus where it belongs: the music.

    Packed with wisdom, humor, and enough guitar-fueled energy to make you want to pick up your instrument immediately, this episode is equal parts masterclass and jam session. Whether you’re running a home studio gear setup or a full-scale production house, you’ll find nuggets of inspiration and plenty of reasons to laugh along.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Do DAWs Have a Sound? The Truth About Pan Laws



    On the surface, panning and pan laws might sound like the driest topic in the world—but if you care about making mixes that translate everywhere, you can’t afford to ignore them. In this episode of Inside the Recording Studio, Chris and Jody take a deep dive into the mechanics and the myths of stereo placement, with their usual mix of expertise, humor, and truth bombs.

    First, they cover the basics: What is panning? What are pan laws? And why are they such a big deal when it comes to balancing tracks in stereo? You’ll learn how pan laws affect perceived loudness, how different DAWs handle them, and why some engineers insist they contribute to that elusive idea of a “DAW sound.”

    From there, Chris and Jody explore real-world scenarios. How do pan laws impact mono compatibility? Why does it matter when you collaborate with other studios or engineers? And how can you use this knowledge to avoid translation issues when moving sessions between DAWs? They’ll also dig into some common misconceptions, bust a few myths, and explain how this “brutally boring” subject can actually make a measurable difference in your mixes.

    As always, it’s not just theory. Expect recording setup tips, insights into hidden features in studio gear, and plenty of practical takeaways for anyone working with home studio gear. And because it’s Chris and Jody, you’ll also get humor, banter, and a little nonsense—because even pan laws deserve a laugh.

    If you’ve ever wondered why your mixes sound different when played back in another DAW, or why mono checks sometimes fall apart, this episode will give you the clarity (and chuckles) you need.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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