• The Truth About Gear Addiction: Do You Really Need All Those Plugins?



    Confession time: how many compressor plugins do you actually need? One? Two? Six? Let’s be real—you probably have a “go-to” compressor and five others you bought during a flash sale because someone on YouTube said it was life-changing. Don’t worry, you’re not alone. Chris and Jody are right there with you in this week’s episode of Inside the Recording Studio, tackling the hilarious, slightly painful truth about gear addiction in music production.

    Let’s paint the picture. You open your DAW, scroll through your plugin folder, and realize you’ve somehow collected enough EQs to start your own virtual museum. You tell yourself each one “has a different color” (translation: it’s slightly shinier than the last). Meanwhile, your mixes still hinge on the same three plugins you’ve used for years. And guitars? Don’t even start. That “backup” guitar? It has three backups of its own.

    This episode is all about calling out the obsession we all share—the need to collect, collect, and collect some more. Chris and Jody ask the uncomfortable but necessary questions:

    • Does more gear actually make you a better mixer or songwriter?
    • Why do we keep buying shiny new toys while ignoring the hidden features in studio gear we already own?
    • And when is “just in case” actually code for “I’ll never use this, but it looks cool in my rack”?

    They’ll swap stories about plugin overload, forgotten purchases, and the sobering reality of discovering licenses for tools they don’t even remember buying. (Yes, it happens.) They’ll also share practical ideas on how to prune your collection, focus on what actually improves your workflow, and get back to what matters most—making music, not scrolling menus.

    But don’t expect a lecture. This is Inside the Recording Studio, after all. You’ll get plenty of laughs, playful digs at gear addiction, and the kind of nonsense that makes self-reflection just a little less painful. After all, admitting you might be a gear hoarder is easier when Chris and Jody are joking right along with you.

    At the end of the day, this episode isn’t about shaming you for that seventh guitar pedal or your fifth reverb plugin. It’s about reminding ourselves that great music comes from skill, creativity, and intent—not the size of your plugin folder. Or as Chris and Jody put it: too much gear sometimes means too little music.

    So before you buy that next “essential” bundle, hit play on this brutally honest (and very funny) conversation. Your wallet—and maybe your mixes—will thank you.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Saturation vs. Distortion: How to Enhance Your Mix With Grit



    Who says distortion is just for shredders in leather pants? This week, Chris & Jody are here to spill the beans on how creative distortion in mixing can spice up any track. Think of it like hot sauce: a little goes a long way, but sometimes you just want to drench everything.

    They start by serving up the obvious—guitar tones that roar and scream—but then they ladle distortion all over the mix. Bass that rattles, vocals that snarl, even drums that sound like they’re trying to escape the speakers. It’s chaos, but the good kind.

    Along the way, you’ll get recording setup tips for pulling this off with your home studio gear without blowing up your interface (unless you want to). They’ll also expose a few hidden features in studio gear that can surprise you when you push them past polite levels.

    And of course, no episode is complete without their signature nonsense, wisecracks, and a Friday Find that will have you itching to experiment the moment you hit stop.

    This isn’t “Distortion 101.” This is distortion with swagger.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • MainStage Secrets: Hidden Features in Studio Gear You Need to Know



    Apple’s MainStage is more than a shiny logo—it’s a performance powerhouse. In this episode, Chris & Jody break down why MainStage is the unsung hero of live rigs and home studio gear alike. From navigating its role as a flexible plugin host to uncovering hidden features in studio gear, they cover how this tool streamlines touring setups and enhances recording workflows. You’ll learn which instruments thrive inside MainStage, how to optimize your recording setup tipsto prevent mid-show meltdowns, and why producers are quietly sneaking it into their sessions. Of course, Chris & Jody sprinkle in their signature humor, a few cautionary tales, and wrap it all up with this week’s Friday Finds—gear gems you won’t want to miss. Whether you’re a road warrior, a bedroom producer, or a gear junkie, this episode shows why MainStage may just be your next secret weapon.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Discovering the Ultimate Audio Magic with the TC2290 Deep Dive



    Few hardware units have reached near-mythical status in the recording world like the TC2290 Digital Delay. In this episode of Inside the Recording Studio, Chris and Jody strap in for a deep dive into the TC2290—a piece of gear that not only redefined delay but also raised the bar for what a digital effects unit could do.

    They begin with the history: how the TC2290 emerged in the mid-1980s and quickly earned its place in studios and on stages for its pristine sound, flexibility, and forward-thinking design. It wasn’t just another delay—it was a modular powerhouse, capable of everything from subtle repeats to lush, multi-layered soundscapes.

    Chris and Jody then turn to the interface and modules. They explore how its iconic rack-mounted design and front-panel layout gave engineers incredible control. From modulation sections to routing options, the TC2290 provided features that were ahead of its time and are still revered today. They’ll break down what each module does, why it matters, and how it all comes together to form one of the most incredible-sounding hardware delays ever made.

    You’ll also get insight into how the TC2290 compares to modern plugins and other digital emulations. Do today’s tools capture its essence? Or is there something about the hardware—its converters, its quirks, its workflow—that can’t quite be replicated?

    As always, Chris and Jody bring a balance of technical expertise and real-world perspective. Expect actionable recording setup tips, stories about how they’ve used delay in their own productions, and a few laughs about the quirks of working with vintage gear.

    If you’re curious about why the TC2290 still holds such weight in pro audio circles—or if you just love geeking out about hidden features in studio gear—this episode is your front-row seat to the legend.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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