• From Static to Dynamic: Elevate Your Mix with Expert Automation Techniques!



    Moving the Faders: How Track and Region-Based Automation Can Transform Your Mixes

    Automation: it’s not just a buzzword—it’s the secret sauce behind some of the most immersive mixes you’ve ever heard.

    In this week’s episode of Inside the Recording Studio, Chris and Jody dive deep into the power of track and region-based automation, showing you how to breathe life, movement, and personality into your productions—without lifting a finger (well, maybe just a fader or two).

    From subtle volume swells to dramatic panning shifts and time-based effect tweaks, automation allows you to sculpt emotion into your audio with pinpoint precision. Whether you’re building energy in a chorus, taming an unruly synth, or automating plugin parameters like reverb, EQ, or delay for added dimension, this episode is packed with practical tipsand creative workflows you can start using today.

    You’ll learn:

    • The difference between track-based and region-based automation—and when to use which
    • How to control volume, panning, FX, and plugin settings for dynamic impact
    • Creative automation tricks for space, clarity, and vibe
    • Real-world examples of automation bringing a mix to life

    As always, expect a little studio banter, a dash of nonsense, and this week’s Friday Finds—because great gear and clever tips go hand in hand.

    So whether you’re mixing in a pro studio or your bedroom setup, this episode will help you take full control of your sonic universe.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How Much Headroom Do You Really Need? The Unsung Hero of Better Mixes



    Finding the Sweet Spot: Why Headroom Matters in Your Mixes

    You’ve likely heard the term headroom tossed around in audio circles—but how well do you actually understand it?

    In this week’s episode of Inside the Recording Studio, Chris and Jody dive head-first into the often-overlooked (yet wildly important) topic of recording headroom. They break down what it is, why you should care, and how hitting the “sweet spot” of headroom can make all the difference when it comes time to master your mix.

    🎛️ In this episode:

    • What exactly headroom is in a digital recording setup
    • Why pushing levels too close to zero can do more harm than good
    • The ideal range to aim for when tracking and mixing
    • Why mastering engineers love (and expect) a well-balanced mix
    • Common mistakes people make and how to avoid them

    Whether you’re a home studio enthusiast or a seasoned engineer, this episode helps you level up your gain staging game—without any of the math headaches.

    Oh, and yes—there’s the usual dose of studio nonsense, along with this week’s Friday Finds that you won’t want to miss.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Audio Masking Exposed: How to Bring Every Instrument into the Spotlight!



    Chris and Jody wade into the murky depths of audio masking—a sneaky culprit that can turn your mix into a muddy mess. If your instruments are fighting for attention and your mix feels cluttered, this episode is for you!

    We’ll explore:

    • What is audio masking? The science behind why some sounds disappear in a mix.
    • Which instruments are the usual suspects? Find out where masking commonly occurs.
    • How to spot (and stop) masking before it kills your clarity.
    • Listening strategies & EQ moves to carve out space for each track.
    • The best software tools to visually detect and fix masking issues.

    Plus, this week’s Friday Finds brings another audio gem, and—let’s be honest—some nonsense will probably slip through.

    Whether you’re mixing your first track or refining your pro workflow, this episode will help you clear the mud and make your mix shine!

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Unlock the Secrets of Drum Programming vs. Live Drums!



    Ready to settle the score between drum programming and live drums? In this episode of Inside the Recording Studio, Chris and Jody dive deep into the pros, cons, and surprising secrets of both worlds. From the unmistakable human feel of live drums to the precision and creativity of programmed beats, we explore:

    • Which music styles thrive with live drums and which ones are a match made in heaven for drum programming.
    • When to hit record on live drums for that larger-than-life sound—and when to let your DAW handle the groove.
    • Avoiding robotic rhythms: Common pitfalls of drum programming and how to keep it feeling fresh.
    • Why program drums anyway? Cost, control, and those tiny apartments that don’t fit a drum kit.
    • The best of both worlds: Tips for blending live and programmed drums or samples to craft a killer hybrid sound.

    Plus, there’s a mysterious Friday Finds that you won’t want to miss. And let’s be real—it’s also not unlikely that some nonsense will be discussed along the way.

    Whether you’re a purist who swears by sticks and skins or a MIDI maestro, this episode is packed with insights to level up your drum game!

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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