• Recording Setup Tips: Clarifying Roles For Better Workflow



    Producer vs. Mix Engineer: Who Does What (and Why It Matters)

    This week on Inside the Recording Studio, Chris and Jody take on a listener-submitted topic and unpack one of the most commonly misunderstood distinctions in music production: the difference between a Producer and a Mix Engineer.

    What do these roles actually mean? Are they interchangeable? And what happens when they blur — or clash — in a session?

    Chris and Jody trace the traditional “old-school” definitions of both roles, and explore how the responsibilities have shifted (or expanded) in today’s modern, often home-based, recording setups. Whether you’re working with an entire team or wearing multiple hats yourself, understanding these distinctions can sharpen your workflow, improve your collaborations, and make your final product more cohesive.

    You’ll also hear some classic studio anecdotes and personal insights into how Chris and Jody approach these roles in their own work — all with their signature wit, wisdom, and a dash of nonsense.

    Plus: this week’s Friday Finds are packed with practical picks for producers and mixers alike. And yes, the Gold Star word is in there too — are you listening closely?

    Shoutout to: James Clear

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Get Your Gain Right — Everything Else Follows



    Gain Staging: The Unsung Hero of Clean Recordings

    In this episode of Inside the Recording Studio, Chris and Jody unpack the ever-important — and often misunderstood — concept of gain staging.

    What is gain staging, really? Where did it come from? And why does it matter whether you’re tracking vocals, mixing drums, or dialing in your outboard gear? Chris and Jody explain how proper gain structure helps avoid distortion, noise, headroom issues, and mix imbalances — and why it’s essential for anyone serious about producing professional-quality audio.

    They break it down in simple, usable terms: from preamps to plugins, converters to compressors, you’ll learn how to manage levels at each stage of your signal flow. You’ll also hear Jody’s personal “aha” moment with gain staging, and how it changed the way he works in the studio.

    Also in this episode: the latest Friday Finds, your chance to collect the Gold Star word of the week, and a teaser for the upcoming Tuesday Tip. And yes, as always, a dash of light-hearted nonsense rounds things out.

    So, if your tracks are too hot, too cold, or just a little too messy — this is the one to tune in for.

    Shoutout to: Aerosmith

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • A Beginners Guide to the Anatomy of a Synth



    Chris and Jody ring in 2021 with talking about the elements that make up the anatomy of a synth. The pieces parts so to speak from a signal flow concept. Think of it as an overview of the beginning to understanding synthesis. They also kick off the year with their first Friday Find – what will it be? Plus learn what this week’s Goldstar word is – will you win? It is also not unlikely that some nonsense will be discuss as well.

    Shoutout to: Dan Worrall

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • More than you wanted to know about Delay Delay Delay



    Delay: A Not-So-Late Introduction to One of Music’s Most Iconic Effects

    This week on Inside the Recording Studio, Chris and Jody finally arrive at a long-awaited topic — delay — with just a touch of poetic irony, since the episode itself was… delayed.

    But let’s be honest: when it comes to creating space, depth, and vibe in your recordings, delay is a powerful (and often misunderstood) tool. In this episode, Chris and Jody provide a broad-strokes overview of delay’s evolution — from early tape echo machines to modern digital models — and break down the most common types of delay, including slapback, ping-pong, stereo, analog, and digital.

    Think of this one as your beginner’s guide or a refresher course, whetting your appetite for future deep dives into specific delay units, plugin picks, and creative routing ideas.

    Whether you’re crafting ambient textures, doubling vocals, or just trying not to drown your mix in repeats, this episode gives you the starting knowledge to use delay more musically and with more intent.

    Stick around for this week’s Friday Finds, the Gold Star word, and — as always — a little bit of classic Chris & Jody nonsense.

    Shoutout: John Lennon, Pink Floyd, Oil Can Delay

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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