• The Truth About Signature Sound in Mixing



    When you hit play on a track, should it sound like you — unmistakably branded with your sonic fingerprint — or should it morph seamlessly into whatever the song demands? In this week’s episode of Inside the Recording Studio, Chris & Jody dive headfirst into one of the most polarizing debates in audio engineering: the “signature sound” dilemma.

    For decades, producers and mix engineers have wrestled with the question: Is having a recognizable vibe a mark of mastery, or does it risk pigeonholing you into a single trick? Chris & Jody weigh the benefits of carving out a signature style that helps you stand out in an overcrowded market against the flexibility of becoming a sonic chameleon who adapts to every artist’s vision.

    Expect straight talk about industry myths, the hidden costs of always “sounding like yourself,” and why some of your favorite records do carry an engineer’s fingerprint even if you don’t realize it. This is a conversation that touches everything from home studio gear choices to recording setup tips that can push your mixes one way or another. They even uncover a few hidden features in studio gear that might be shaping your sound without you knowing it.

    Of course, it wouldn’t be an Inside the Recording Studio episode without a dash of humor. Whether they’re poking fun at one-trick ponies, laughing about the “magic plugin” myth, or getting sidetracked by unexpected audio interface troubleshooting stories, Chris & Jody keep it real, relatable, and relevant.

    And don’t miss Friday Finds, where the guys shine a spotlight on fresh tools, surprising workflows, and even a laugh or two about the gear rabbit holes we all fall into.

    If you’ve ever wondered whether your mixes should scream “this is me” or disappear into the artistry of the track, this episode is your permission slip to challenge your assumptions. Tune in, laugh a little, and leave with practical insight to level up your engineering game.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Recording Setup Tips: Clarifying Roles For Better Workflow



    Producer vs. Mix Engineer: Who Does What (and Why It Matters)

    This week on Inside the Recording Studio, Chris and Jody take on a listener-submitted topic and unpack one of the most commonly misunderstood distinctions in music production: the difference between a Producer and a Mix Engineer.

    What do these roles actually mean? Are they interchangeable? And what happens when they blur — or clash — in a session?

    Chris and Jody trace the traditional “old-school” definitions of both roles, and explore how the responsibilities have shifted (or expanded) in today’s modern, often home-based, recording setups. Whether you’re working with an entire team or wearing multiple hats yourself, understanding these distinctions can sharpen your workflow, improve your collaborations, and make your final product more cohesive.

    You’ll also hear some classic studio anecdotes and personal insights into how Chris and Jody approach these roles in their own work — all with their signature wit, wisdom, and a dash of nonsense.

    Plus: this week’s Friday Finds are packed with practical picks for producers and mixers alike. And yes, the Gold Star word is in there too — are you listening closely?

    Shoutout to: James Clear

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Get Your Gain Right — Everything Else Follows



    Gain Staging: The Unsung Hero of Clean Recordings

    In this episode of Inside the Recording Studio, Chris and Jody unpack the ever-important — and often misunderstood — concept of gain staging.

    What is gain staging, really? Where did it come from? And why does it matter whether you’re tracking vocals, mixing drums, or dialing in your outboard gear? Chris and Jody explain how proper gain structure helps avoid distortion, noise, headroom issues, and mix imbalances — and why it’s essential for anyone serious about producing professional-quality audio.

    They break it down in simple, usable terms: from preamps to plugins, converters to compressors, you’ll learn how to manage levels at each stage of your signal flow. You’ll also hear Jody’s personal “aha” moment with gain staging, and how it changed the way he works in the studio.

    Also in this episode: the latest Friday Finds, your chance to collect the Gold Star word of the week, and a teaser for the upcoming Tuesday Tip. And yes, as always, a dash of light-hearted nonsense rounds things out.

    So, if your tracks are too hot, too cold, or just a little too messy — this is the one to tune in for.

    Shoutout to: Aerosmith

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • A Beginners Guide to the Anatomy of a Synth



    Chris and Jody ring in 2021 with talking about the elements that make up the anatomy of a synth. The pieces parts so to speak from a signal flow concept. Think of it as an overview of the beginning to understanding synthesis. They also kick off the year with their first Friday Find – what will it be? Plus learn what this week’s Goldstar word is – will you win? It is also not unlikely that some nonsense will be discuss as well.

    Shoutout to: Dan Worrall

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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