• Recording Myths About Sample Rate and EQ



    Do you need a second mortgage for your home studio gear… or just better decisions? In this episode of Inside the Recording Studio, Chris & Jody take aim at some of the most stubborn recording myths floating around forums, YouTube comments, and that one friend who always says, “Yeah, but at 192k it just sounds better.”

    Let’s talk about it.

    Is the highest sample rate always the right move? Is that boutique EQ actually worth your rent money? Are you missing out because you’re not using “pro-level” converters? Or is the internet just really good at selling anxiety?

    Chris & Jody break down these recording setup tips with a mix of practical insight and dry humor. They’re not here to shame your gear choices, or worship them. They’re here to ask what actually matters in a recording setup and what’s just digital overkill.

    There’s some light shade thrown at gear snobbery. There’s perspective from industry names like CJ Vanston, Jeff Scott Soto, Eric Valentine, Dave Pensado, and even Sir George Martin. And there’s the quiet reminder that none of those legends built their reputations on spec sheets alone.

    If you’ve ever gone down a rabbit hole comparing amps, obsessing over EQ curves, or convincing yourself that one more plugin will fix everything, this episode is a gentle (and occasionally sarcastic) nudge back to reality.

    Because here’s the thing: great records don’t come from myths. They come from good decisions, solid fundamentals, and knowing when to stop chasing numbers.

    You’ll also get this week’s Friday Finds, because while we’re busting myths, we’re still discovering cool stuff.

    This conversation is for the home studio crowd trying to level up without lighting their bank account on fire. It’s for independent artists who want honest advice instead of marketing copy. And it’s for anyone who’s ever wondered if the rabbit hole has a bottom.

    Spoiler alert: it does. And it’s usually labeled “practice.”

    If you want practical recording setup tips without the hype, and maybe a little nonsense along the way, press play now.

    Subscribe so you don’t miss next week’s myth demolition.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Saturation vs. Distortion: How to Enhance Your Mix With Grit



    Who says distortion is just for shredders in leather pants? This week, Chris & Jody are here to spill the beans on how creative distortion in mixing can spice up any track. Think of it like hot sauce: a little goes a long way, but sometimes you just want to drench everything.

    They start by serving up the obvious—guitar tones that roar and scream—but then they ladle distortion all over the mix. Bass that rattles, vocals that snarl, even drums that sound like they’re trying to escape the speakers. It’s chaos, but the good kind.

    Along the way, you’ll get recording setup tips for pulling this off with your home studio gear without blowing up your interface (unless you want to). They’ll also expose a few hidden features in studio gear that can surprise you when you push them past polite levels.

    And of course, no episode is complete without their signature nonsense, wisecracks, and a Friday Find that will have you itching to experiment the moment you hit stop.

    This isn’t “Distortion 101.” This is distortion with swagger.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Use EQ Like a Pro: Fix Problems and Add Polish



    Corrective EQ vs Sweetening EQ: What’s the Difference and Why It Matters

    In this episode of Inside the Recording Studio, Chris and Jody dive headfirst into the often-blurred line between corrective EQ and sweetening EQ — and why understanding the difference can elevate your mixes from passable to polished.

     Corrective EQ: What exactly qualifies as “fixing” a sound? From removing muddiness and taming resonances to addressing harsh frequencies, the duo breaks down when and why to use EQ as a surgical tool during the early mix stages.

     Sweetening EQ: Once the mix is clean, how do you take it from good to great? Chris and Jody walk through subtle boosts, tonal shaping, and the “sprinkle of fairy dust” approach that sweetening EQ can offer — all while staying musical.

    Whether you’re battling room problems, poor mic placement, or just trying to add shimmer to your overheads or glue to your mix bus, this episode explores the process value and decision-making behind each type of EQ move.

    Plus, the latest Friday Finds may change your plugin folder for good — and yes, there’s the usual side of light-hearted nonsense along the way.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Do You Really Need Music Theory to Succeed in Music Production?



    Music Theory in the Studio: Must-Have Skill or Creative Buzzkill?

    Should every musician or producer know music theory? Is it a necessary tool or an outdated gatekeeper? In this episode of Inside the Recording Studio, Chris and Jody tackle one of the most debated questions in modern production: does knowing music theory actually help in the studio—or can it sometimes get in the way?

    From beatmakers who can’t read a note to session players who know every scale in every mode, the creative spectrum is wide—and this conversation explores all sides of it.

     In this episode:

    • Should producers, musicians, and engineers be fluent in music theory?
    • Does music theory speed up the writing and recording process—or complicate it?
    • Can theory knowledge hinder spontaneity and vibe in a creative session?
    • What happens when you’re collaborating with someone who doesn’t know theory?
    • And: how to find the sweet spot between structure and instinct in your workflow

    Whether you’re a self-taught genius or a classically trained perfectionist, this episode will give you a fresh take on where music theory fits into today’s studio landscape.

    And of course, there’s this week’s Friday Finds—plus a bit of good-natured nonsense for balance.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

© 2020-2026 Inside the Recording Studio