Reverb? Delay? Pssh. Cute. Chris and Jody are cracking open the toy chest and pulling out the weird stuff. This week’s Inside the Recording Studio is all about esoteric effects — the ones you don’t admit to using at parties but secretly love.

Want to crush a vocal until it sounds like it came through a Game Boy? Done. Want to warp a guitar into a ghostly, otherworldly pad? Easy. Want to make your mix sound like it’s breathing through a broken spaceship airlock? We got you.

This isn’t your “five plug-ins every producer needs” kind of episode. Nope—we’re diving into the strange, the misunderstood, the “why-does-this-even-exist” effects that somehow make everything cooler when you use them right.

Chris and Jody share their faves, their “don’t-try-this-at-home” moments, and how to sneak these oddballs into a track without wrecking the vibe. Think of it as audio interface troubleshooting for your creativity. Spoiler: you’re gonna want to hit the bypass button less often after this one.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com