• Studio Gear Guide for Better High Gain Guitar Tone



    What if the problem isn’t your amp… but your gain? That’s the question Chris & Jody explore in this episode, and the answer might change how you approach high gain guitar tone forever.

    Let’s break it down:

    Problem:
    You crank the gain.
    It sounds huge.
    Then the mix starts… and your guitar disappears.

    Reality:
    Too much distortion = less clarity.
    Less clarity = no definition.
    No definition = buried guitars.

    Chris & Jody walk through how to fix that using practical recording setup tips that apply across any rig. Tube amps, amp sims, mic’d cabinets, impulse responses, it doesn’t matter. The principles stay the same.

    Key Move #1: Dial Back the Gain
    More distortion feels powerful, but it actually reduces attack and articulation. Pull it back, and suddenly your tone tightens up.

    Key Move #2: Use Tools That Shape, Not Smother
    Enter the Tube Screamer. Not as a crutch, but as a precision tool. It trims low-end flub, sharpens pick attack, and helps your guitar sit right where it should.

    Key Move #3: Stop Fighting the Midrange
    Scooped tones sound impressive alone.
    They fail in a mix.

    Chris & Jody emphasize that midrange EQ is what gives your guitar presence. It’s not optional, it’s essential.

    Key Move #4: Capture Better Takes
    Tone isn’t just gear.
    It’s performance.

    They touch on noise control, tracking habits, and choosing the right setup for your style. Whether you’re chasing modern metal tightness or a vintage thrash edge, the process matters more than the presets.

    There’s also that familiar Chris & Jody energy throughout, practical, a little dry, and always focused on what actually works in the studio.

    And yes, Friday Finds shows up at the end, because discovering new gear is half the fun of doing this in the first place.

    Bottom Line:
    High-gain tone isn’t about turning everything up.
    It’s about shaping what matters.

    Hit play, rethink your approach, and start building tones that actually survive the mix. Subscribe and keep dialing it in.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – ApolloUA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – ApolloUA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Tuesday Tip: Adding Life to D.I. Guitar Tracks


    In this video, Chris shares some tips on how to use reverb to add some life into dry guitar tracks. Including what type of reverb, decay time as well as EQ-ing the reverb return.

  • Tuesday Tip: API 550a Style EQ on Drums


    In this Tuesday Tip, Chris goes through the layout and functionality of a 550 style EQ, as well as showing how you can get great results, quickly, using this great piece of kit.

    Shoutout to: Slate Digital and Toontrack.

  • Tuesday Tip: Using the Pultec EQ to Add Weight and Punch to a Kick Drum.


    In this tip, Chris shows you how the controls are laid out on the Pultec EQ, and how we can use it to add weight and punch to a kick drum.