Apparently guitars have been hogging the distortion for far too long, so Chris & Jody have decided it’s time to redistribute the dirt.
Welcome to another episode of Inside the Recording Studio, where clean audio is perfectly acceptable right up until somebody decides it needs hot sauce.
This time, Chris & Jody are talking distortion. Yes, guitar distortion is invited. Obviously. But stopping there would be far too sensible. Bass gets distortion. Drums get distortion. And distortion on vocals? Absolutely. Why should guitar players have all the fun?
The idea is simple: distortion does not have to belong to one instrument or one style of music. You can use it as another creative tool when shaping sounds in your studio. Sometimes a little dirt is exactly what a track needs.
Or maybe a lot of dirt.
We’re not judging.
Chris & Jody take the hot sauce approach to the subject. Sprinkle some on and see what happens. The goal is not to turn every recording into a fuzzy mess. It’s to stop assuming that distortion has only one job. When you start trying it on guitars, bass, vocals, and drums, you give yourself more ways to change the character of the sounds already sitting in your session.
That’s where creative distortion becomes interesting.
If you’re working with home studio gear, experimentation is part of the fun. You already have tracks in front of you. Why not find out what happens when something that normally stays clean gets a little less polite?
Vocals can get dirty. Bass can get nasty. Drums can apparently be fried too.
Somewhere, a perfectly clean waveform is becoming nervous.
Along the way, Chris & Jody keep the conversation practical while providing the expected amount of nonsense. Because if you’re going to talk about intentionally adding distortion to perfectly usable audio, you might as well enjoy yourself while doing it.
And after all that sonic abuse, Friday Finds returns.
That means once Chris & Jody have encouraged you to start throwing distortion around your mix, they’ll also give you some new toys to investigate afterward. Responsible? Maybe not. Fun? That’s another matter.
The takeaway is not that everything needs distortion. It’s that distortion deserves a wider job description. If you’ve automatically associated it with guitars and metal, there are bass tracks, vocal tracks, and drum tracks waiting to challenge that idea.
So open a session, find something suspiciously clean, and consider adding a little dirt.
Subscribe to Inside the Recording Studio for more studio tricks, home studio gear talk, Friday Finds, and the occasional questionable decision that somehow makes the mix more interesting.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com