• Recording Setup Tips for Better Side Chaining



    Everyone talks about side chaining like it’s some secret club. Good news. There isn’t a password.

    This week Chris and Jody tackle one of the most talked about mixing techniques in music production and prove it isn’t nearly as scary as the internet sometimes makes it sound. Side chaining can make a muddy mix breathe, help your kick and bass stop fighting, and even add movement that makes a track feel more alive. Once you understand it, you’ll probably wonder why you waited so long.

    The fun begins with a simple explanation of what side chaining actually does. No confusing textbook definitions. No impossible engineering vocabulary. Just a straightforward conversation about how one signal can control another and why that matters when you’re trying to build a better mix.

    Then the practical part begins. Chris and Jody explain how to set up side chaining in a DAW so you can start experimenting immediately. They don’t stop there either. If you’re working with an MPC Live, they also cover how the same concepts translate into hardware so you’re not limited to one production environment.

    Along the way they share creative ways to use side chaining beyond the obvious kick and bass trick. Want a cleaner vocal mix? Looking for synth parts that pulse with the groove? Trying to make crowded arrangements feel less crowded? You’ll come away with several ideas that you can try on your own projects without needing a complicated setup.

    Naturally, no episode would be complete without Chris and Jody bouncing jokes back and forth while explaining the serious stuff. Their signature banter keeps the conversation light even while covering important recording setup tips. They also point out several common mistakes that producers make when learning side chaining so you can skip the frustration and get better results faster.

    And because no Inside the Recording Studio episode is complete without a little randomness, they also deliver the promised nonsense at absolutely no extra charge. It wouldn’t feel right otherwise.

    The episode closes with another round of Friday Finds, giving you another chance to discover something interesting that might become part of your own recording workflow.

    Whether you’re brand new to compression, trying to understand why side chaining is everywhere, or simply looking for fresh music production ideas, this conversation gives you practical techniques instead of complicated theory. Everything is presented in a way that’s easy to understand and immediately useful.

    Hit subscribe to Inside the Recording Studio and come back next week for more practical recording knowledge, useful studio tips, and whatever unexpected nonsense Chris and Jody decide to include.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Minimal Plugin Setup Tips for Better Mixes



    Imagine getting stranded on a desert island with a laptop, a DAW, and exactly five plugins before the universe says, “Good luck, audio nerd.”

    That’s the ridiculous challenge Chris & Jody tackle this week on Inside the Recording Studio, and things get surprisingly serious surprisingly fast. Because once you remove the safety blanket of 947 unused plugins, producers suddenly have to admit which tools they actually rely on.

    In this episode, the guys battle through their top five desert island plugins while trying not to completely destroy the rules they created five minutes earlier. Amp sims? Probably essential. Synths? Hard to live without. Channel strips? Maybe cheating. Creative FX? Absolutely necessary if you don’t want your island recordings to sound like sadness and driftwood.

    Chris & Jody dive into the plugins they trust most for recording, mixing, songwriting, and keeping sessions moving when inspiration hits. Along the way, they drop a ton of recording setup tips for producers trying to simplify their workflow without sacrificing quality. Turns out, having fewer choices can actually make you faster, more creative, and less likely to spend four hours scrolling through presets named “Warm Punchy Master Final FINAL.”

    The conversation keeps circling back to a painful truth about home studio gear: most of us own way more plugins than we actually need. Instead of chasing every new release, the guys explain why deeply learning a handful of tools often leads to better mixes than endlessly collecting shiny new software.

    Naturally, the debates get a little heated. One plugin gets defended like it’s the last raft leaving the island. Another gets questioned because it technically combines too many features into one package. There’s also discussion about workflow speed, CPU efficiency, versatility, and whether a plugin deserves survival status if it only does one thing really well.

    And because this is Inside the Recording Studio, the episode wanders into wonderfully absurd territory too. There’s joking about coconut-powered studios, headphone mixing while hiding from seagulls, and the psychological damage caused by being trapped forever with only stock reverb.

    Still, underneath the nonsense is a genuinely useful conversation for anyone building a home recording setup. If you’ve ever wondered how to narrow down your plugin collection, improve your workflow, or choose tools that actually help you finish music, this episode offers practical insight without drowning you in technical jargon.

    Friday Finds also makes an appearance with more studio goodies worth exploring, because apparently being stranded on a desert island still doesn’t stop audio people from wanting more gear.

    So if you love plugin talk, recording setup tips, home studio gear debates, and watching two engineers argue over imaginary survival conditions, this episode is for you.

    Subscribe now and join Chris & Jody for more studio wisdom, questionable humor, and audio adventures every week.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Best DAW for Your Workflow and Recording Setup



    Does your DAW actually matter, or are we all arguing over the wrong thing?

    In this episode of Inside the Recording Studio, Chris and Jody tackle one of the most heated debates in home recording: which digital audio workstation you should use. Logic, Pro Tools, Studio One, Reaper, every camp has strong opinions. But as Chris and Jody break it down, the truth has less to do with brand loyalty and more to do with how your workflow responds to the interface in front of you.

    This conversation goes beyond surface-level DAW comparisons. They dig into how different GUIs affect your recording setup, how platform preferences shape your daily use, and whether there’s actually any sonic difference between DAWs. Yes, they go there. If you’ve ever wondered whether switching software will magically improve your mixes, this episode will ground that thinking in practical reality.

    One of the key takeaways? Your home studio gear only works as well as your comfort with it. If your digital audio workstation slows you down, confuses you, or makes simple tasks feel complicated, it’s not the right tool for you, no matter how popular it is. Chris and Jody emphasize choosing a DAW that matches your goals, your habits, and your creative process, not your bandmate’s opinion or a Reddit thread.

    There’s also the usual blend of insight and dry humor. At one point, they call out the “DAW tribalism” that shows up online, reminding listeners that most modern recording software is incredibly powerful. The real difference often comes down to user experience, speed, and how naturally the system supports your recording workflow.

    If you’re building a recording setup for the first time, or questioning your current one, this episode delivers clear, practical recording setup tips without drowning you in jargon. It’s about removing confusion and helping you make a confident decision about your digital audio workstation.

    And as always, stick around for Friday Finds and gear tips to sharpen your home studio gear choices even further.

    If you’re serious about improving your workflow and getting more done in your studio, hit subscribe and join us next week for another deep dive into the tools that shape your sound.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Saving Key Commands In A DAW


    In this Tuesday Tip, Jody walks you thru creating a key command and how to save them in a DAW. The reason key commands are so amazing is that they help you speed up your workflow for things that you do extremely often in your DAW.

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