In this video, Chris shows how to use side-chaining on a vocal delay to help it tuck under, and not smear, the lead vocal. Making use of the compressor release time, will allow the delay to be present during breaks in the vocal in a musical way.
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Gear Chris used:
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, SSL 4kE, API Eq, FG2A) – iZotope RX 9 Spectral DeNoise – Oek Sound Soothe 2
Master: iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this Tuesday Tip, Chris quickly goes through the downloading process, as well as the interface of Spitfire Audio’s excellent free plugin LABS. There’s also a musical example, so you can hear it in use. LABS is great for experimentation, getting the creativity going, or just for sample based instruments that fall a little bit outside the norm.
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Gear Chris used:
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, SSL 4kE, API Eq, FG2A) – iZotope RX 9 Spectral DeNoise – Oek Sound Soothe 2
Master: iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this video, Chris shows how you can use delay to create a guitar part, in the style of U2 or Angels & Airwaves. A simple, yet effective way to add interest to any simple part, on any instrument. Just make sure that your playing is in time…
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Gear Chris used:
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, SSL 4kE, API Eq, FG2A) – iZotope RX 9 Spectral DeNoise – Oek Sound Soothe 2
Master: iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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