In this Tuesday tip Jody walks you thru the simple concept of separation between kick and bass in a mix. Using the elementary function of EQ and listening for where each instrument should get prominence in a mix.
In this Tuesday Tip we take a look at the intro overview of a MainStage concert file. Particularly a concert file set up with patches recreating Bass Amp setups for cover songs. Showing the various parts of the window and also a slightly more advanced method of using a single input to drive multiple Bass Amps at once.
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Gear Jody used:
Jody’s Mic & Voice Chain: Telefunken C12 – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone 9 Imager – iZotope Ozone 9 Maximize
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this Tuesday Tip Jody walks you thru recording Bass using a DI box and also going direct to your audio interface with a ¼” cable. Both methods of recording the bass get a similar sound and helps the mixing engineer when the levels are at a reasonable level for Re-Amping purposes.
Shoutout to: Radial Engineering for their Trim Two Stereo DI.
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Gear Jody used:
Jody’s Mic & Voice Chain: Telefunken C12 – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone 9 Imager – iZotope Ozone 9 Maximize
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this video we show the benefits of adding a D.I. signal to your amp’d bass guitar tracks.