• New Gear Overload! Tips to Avoid the Trap & Stay Creative



    Shiny New Gear: When to Use It & When to Hold Back

    We’ve all been there: You finally get your hands on that shiny new plugin, synth, or piece of outboard gear, and suddenly… you want to use it on everything. But should you?

    In this episode of Inside the Recording Studio, Chris and Jody wade through the muddy waters of gear obsession to answer some important questions:

    Does every song really need that new effect, plugin, or instrument?
    Do sleigh bells belong in everything, or should they stay in Christmas songs?
    Are you buying gear for a real need—or just chasing the thrill of something new?

    They’ll break down the psychology behind gear purchases, how to integrate new tools effectively, and when it’s time to resist the urge to throw the kitchen sink into your mix.

    Of course, it wouldn’t be an episode without some nonsense, unexpected tangents, and a Friday Find or two.

    So if you’ve ever wondered whether that new compressor is a game-changer or just another dust collector, this episode is for you.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Make Your Music Stand Out: Expert Tips for Punchier Mixes!



    Ready to make your mixes pack a serious punch? In this episode Chris and Jody tackle five practical ways to give your recordings that extra oomph. Whether you’re a musician, a hobbyist, or a seasoned engineer, these tips will get your tracks sounding tighter, fuller, and punchier.

    Here’s a sneak peek at what’s on the menu:

    • How arrangement and instrument choices set the foundation for a punchy mix.
    • The art of keeping dynamics in check without squashing the life out of your music.
    • Low-end EQ strategies to clean up mud and bring clarity.
    • Saturation tricks (and no, not the flammable kind) for adding warmth and impact.
    • The importance of phase checks to ensure everything locks in perfectly.

    Plus, Chris and Jody throw in their signature humor, a bit of friendly nonsense, and this week’s mysterious ‘Friday Finds’—because who doesn’t love a good surprise?

    If you’re looking to transform your mixes and make them hit harder, this episode is a must-listen. Tune in, laugh a little, and take your mixing skills to the next level.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Transform Your Mixes with New York Style Compression Techniques!



    Unlock the Power of Parallel Compression: Tips, Tricks, and Scheps Secrets

    Ready to add some serious punch and polish to your mixes? In this episode of Inside the Recording Studio, we dive deep into parallel compression—aka “New York Style Compression”—and how it can take your tracks from flat to fabulous.

    First, we’ll break down the basics: what is parallel compression, and why has it become a go-to secret weapon for engineers everywhere? We’ll explore two popular methods to achieve it, from classic aux sends to modern plugin magic. Learn why blending a heavily compressed signal with your original track creates that larger-than-life sound, and discover the sweet spots for your compression settings.

    But we’re not stopping there. We’ll shine the spotlight on Andrew Scheps’ legendary “Rear Bus Compression” technique—what it is, how it works, and why it might just be the missing link in your mix. Whether you’re chasing fat drums, thick vocals, or a cohesive mix that slaps, this episode has the goods.

    Expect practical tips, a few laughs, and plenty of insight to level up your mixing game. Let’s get compressed, baby!

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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