• Mastering ≠ Mixing. Know The Line.



    Mastering vs. 2-Bus Processing: What’s the Real Difference?

    In this week’s episode, Chris & Jody dive deep into a frequently misunderstood corner of music production: the difference between mastering and 2-bus processing. Both may share the same highway, but they’re driving very different cars—and heading to distinct destinations.

    Ever wondered why you’d slap a compressor on your 2-bus during mixing, but hold off on multiband limiting until mastering? This episode breaks it all down: the philosophical and practical distinctions, what goes where and why, and how to avoid common pitfalls that trip up even experienced engineers.

    Expect a quick detour through the history of mastering, tips on signal chain decisions, and a dash of good-natured nonsense—because hey, it’s Chris & Jody.

    Stick around for their latest Friday Finds (one’s a game-changer, the other might raise an eyebrow), and see if you catch this week’s Gold Star word.

    Whether you’re polishing your mix or prepping for the master, this episode clears the fog between the two—and helps your tracks shine on both sides of the fence.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Gear Myths? We’re Not Having It.




    Recording Myths Busted: Separating Fact from Studio Fiction

    Do you really need expensive gear to make a great record? Is using the highest sample rate always the best idea? What about amps, EQs, and every other rabbit hole the internet loves to obsess over?

    In this myth-busting episode of Inside the Recording Studio, Chris & Jody throw shade (and a few laughs) at the most persistent recording setup whataboutisms. From gear snobbery to digital overkill, they break down what actually matters in your home studio gear setup—and what’s just smoke and mirrors.

    Along the way, they’ll name-check heavy hitters like CJ Vanston, Jeff Scott Soto, Eric Valentine, Dave Pensado, and yes, even Sir George Martin. Whether you’re debating converters with your inner engineer or wondering if a boutique EQ is really worth your rent money, this episode offers practical, honest advice with a healthy dose of perspective.

    You’ll also hear about this week’s Friday Finds, and as always… a little bit of nonsense.

    If you’re chasing better recordings, not just bigger myths—press play.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How Sample Rate Affects Your Sound



    Sample Rate Smarts: What They Are and Why They Matter

    In this enlightening episode of Inside the Recording Studio, Chris and Jody crack open the digital egg and dive into the often-misunderstood world of sample rates. What is a sample rate really? Why do we choose 44.1, 48, or even 96kHz? And more importantly—should you ever upsample? (Spoiler: there’s one thing you definitely shouldn’t do.)

    With their trademark clarity and wit, Chris and Jody walk through the fundamentals of sample rate theory, the evolution of digital audio gear, and the real-world implications of higher rates—think CPU loads, file sizes, and that one timesomeone tried to impress clients by tracking at 192kHz… just because.

    This episode is essential listening for anyone working with digital audio—whether you’re running a humble home studio gear setup or deep in the pro audio trenches. It’s all signal, no fluff (well… maybe a little fluff—this is Chris and Jody after all).

    Stick around for the Gold Star word, don’t miss this week’s Friday Finds, and prep your ears for a mini-masterclass that cuts through the confusion and gives you real recording setup tips you can actually use.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Record Guitar Using Direct Input: A Complete Beginner’s Guide



    Plug It In: DI Guitar Recording Demystified

    This week on Inside the Recording Studio, Chris and Jody dive into the electrifying world of recording guitar using Direct Input (DI). Whether you’re tracking an electric guitar straight into your interface or experimenting with an acoustic guitar equipped with pickups, DI recording can be a powerful, clean, and flexible option—if you know how to use it right.

    From classic DI boxes to interface inputs and reamping strategies, the duo breaks down the essential gear, signal chains, and recording setup tips to get the most out of your tone. They explore the pros, the cons, and the creative uses that might surprise even seasoned engineers. Spoiler alert: it’s not just a backup plan.

    Expect useful guidance, real-world anecdotes, and a few laughs along the way. And yes—as always—there’s the Friday Finds, the elusive Gold Star word, and a healthy dose of studio nonsense.

    If you’ve ever wondered how to capture a guitar tone that’s flexible, clean, and ready for mixing magic, this episode’s for you. Tune in, DI in, and let Chris and Jody be your tone tour guides.

    Shoutout to: StudioDevil, Redwirez, CJ Vanston, Paul Jackson Jr.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

© 2020-2025 Inside the Recording Studio