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    Discover the Hidden Magic of Pink Noise: Your Secret Weapon for Improving Mixes



    Pink noise. You’ve probably heard of it, but how well do you actually know it? In this episode of Inside the Recording Studio, Chris and Jody shine a light on the oft-debated subject of pink noise as a mixing tool—what it is, how it compares to white noise, and whether it really deserves a place in your workflow.

    They’ll start with the science: what is pink noise? Unlike white noise, which has equal energy across frequencies and can feel harsh to the ear, pink noise is weighted more naturally toward the lows and mids—closer to how we perceive balanced sound. That’s why it’s been used for everything from speaker calibration to ear training, and yes, even mixing.

    From there, Chris and Jody dive into the practical application. How do you use pink noise to balance your mix? What’s the process for matching levels against it? Does it make your workflow faster, or does it create a “cookie cutter” result that doesn’t always serve the song? They’ll share real-world insights, pros and cons, and where it can be a good training exercise versus when to trust your ears and instincts.

    Along the way, expect plenty of recording setup tips on integrating pink noise checks into your DAW, using plugins effectively, and avoiding common pitfalls. And because this is Inside the Recording Studio, there will also be humor, banter, and maybe even a tangent or two about noise in general (the good, the bad, and the “why is my interface buzzing again?” kind).

    Whether you’re running a full studio or just starting out with home studio gear, this episode gives you a balanced perspective on pink noise: what it is, what it isn’t, and how to use it wisely.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Unlock Your Mixing with These 10 Incredible Mixing Tips and Ideas!



    Mixing is part science, part art, and part learning how not to let your hi-hat eat your guitar alive. In this episode of Inside the Recording Studio, Chris and Jody lay out 10 powerful mixing tips designed to make your workflow more efficient and your mixes more effective.

    Covering the fundamentals and beyond, they break down practical strategies for EQ, compression, volume levels, panning, delay, and more. These aren’t abstract “trust your ears” mantras—they’re actionable ideas that can make an immediate difference in how your tracks come together. You’ll learn how to balance frequencies so instruments don’t clash, how compression can shape energy instead of just squash dynamics, and how subtle level changes can transform the feel of a mix.

    Chris and Jody also emphasize workflow. By applying these 10 ideas, you can save time, reduce decision fatigue, and focus more on creativity rather than troubleshooting. Along the way, you’ll hear about one memorable session where a hi-hat and guitar collided in the worst possible way—and how they solved it.

    Of course, this is still Inside the Recording Studio, so while you’ll get solid recording setup tips and practical know-how, you’ll also get humor, banter, and a healthy dose of nonsense. Because let’s face it—mixing is easier when you can laugh about the chaos.

    Whether you’re working on your first song in a bedroom setup or refining your workflow with pro-level home studio gear, these 10 tips will sharpen your skills, speed up your process, and give you a fresh perspective on how to approach mixing.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Discovering the Hidden Gems of the H3000: An Exciting Journey into its Interface and FX!



    Few pieces of studio gear can be called legendary without exaggeration. The Eventide H3000 is one of them. This week on Inside the Recording Studio, Chris and Jody dive headfirst into the history, the design, and the future of what many call the ultimate harmonizer and multi-effects processor.

    First, they rewind the tape: a little history on the H3000 and why it became such a game-changer in the late ’80s and ’90s. From iconic pitch-shifting to lush reverb, chorus, flange, and delay, the H3000 wasn’t just another rack unit—it was a revolution. Major producers and artists adopted it quickly, making its sound part of the DNA of countless hit records.

    Chris and Jody then shift focus to the interface: the quirky yet innovative design, the way engineers learned to navigate presets and parameters, and how those workflows shaped creative decision-making. They’ll share how the H3000 stacks up against modern plugins and what makes it still inspiring to this day.

    Of course, the conversation wouldn’t be complete without a look toward the future. Eventide continues to update its legacy through plugin recreations and digital hardware. How faithful are these emulations? Do they capture the soul of the original box—or do they introduce hidden features in studio gear that go beyond the hardware?

    You’ll also hear how Chris and Jody personally use H3000-style effects in their mixes, plus their take on whether you should invest in hardware, software, or a hybrid approach for your home studio gear setup. Along the way, expect humor, anecdotes, and their signature balance of expertise and entertainment.

    If you’ve ever wondered why the H3000 is still considered the “crown jewel” of rack FX—or how to incorporate that magic into your own productions—this episode is for you.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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