Inside the Recording Studio - Tips to improve your recording

January 16, 2026

Compressors

Mix Smarter: Compression Fundamentals That Actually Help

What is compression, really?

That’s the question Chris and Jody start with in this episode of Inside the Recording Studio. Compression gets talked about constantly, but rarely explained clearly. This episode changes that.

Why does compression feel so confusing?

Because it’s often taught backwards. Instead of explaining what compression does, people jump straight to settings. Chris admits he’s guilty of the classic move, throwing a compressor on a track and hoping it magically fixes things. Jody laughs, because we’ve all been there.

So what do the knobs actually do?

Chris and Jody walk through the core controls you’ll find on nearly every compressor: threshold, ratio, attack, release, and make-up gain. They explain each one in plain language, focusing on how it affects sound and feel, not numbers on a screen.

Is this episode only for beginners?

Nope. Whether you’re new to home studio gear or you’ve been mixing for years, this episode is about clarity. Compression isn’t about rules, it’s about intention. Understanding the basics makes every compressor easier to use.

What about that “glued” or “squashed” sound?

Jody explains why those terms get thrown around and how compression contributes to them. The key takeaway: chasing a sound without understanding compression usually leads to overdoing it.

Are there practical takeaways?

Absolutely. This episode is packed with simple recording setup tips that help you listen more effectively. Attack and release stop being scary once you hear what they change. Ratio starts to make sense when you understand how much control you actually need.

Does it still feel like an Inside the Recording Studio episode?

Very much so. You’ll still get Friday Finds, a Gold Star word drop, and the familiar Chris-and-Jody rhythm that keeps things technical but approachable. There’s even a little premonition about the next Tuesday Tip if you’re paying attention.

Who is this episode for?

Anyone who’s ever used compression and wondered if they were doing it “right.” This episode doesn’t give you rules, it gives you understanding.

Subscribe now and come back next week for another practical studio breakdown on Inside the Recording Studio.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
January 9, 2026

Workflow

Phase Cancellation Tips for Better Recording Setups

Ever have a mix that looks perfect but sounds like it’s missing its spine? Congrats, you might be dealing with phase cancellation. This week on Inside the Recording Studio, Chris and Jody dig into one of the sneakiest audio problems around, the kind that makes engineers blame their gear, their DAW, or their life choices before realizing the real issue was phase all along.

Phase cancellation doesn’t announce itself loudly. It doesn’t clip. It doesn’t distort. It just quietly eats your tone. Chris and Jody explain how it happens when waveforms don’t line up, causing parts of your sound to cancel each other out. That’s why your guitar cab can suddenly feel hollow, or why your snare drum vanishes the second you bring up the overheads.

Jody points out how easy it is to start twisting EQ knobs when something feels wrong, even though the problem has nothing to do with frequency balance. Chris jumps in with real-world mic placement scenarios, reminding listeners that phase issues often begin before the signal ever reaches your interface. Move a mic an inch, and suddenly your sound goes from solid to sad.

The conversation stays practical the whole way through. Chris and Jody talk about how to actually hear phase problems, not just spot them visually. They cover when polarity tools help, when they don’t, and why blindly flipping switches can sometimes make things worse. There’s also a strong reminder that “good enough” mic placement is often the root of phase headaches in home studio gear setups.

They also zoom out to the bigger picture. Phase isn’t just an issue for drums or multi-mic recordings, it affects entire mixes. Layering parts that seem fine on their own can lead to unexpected cancellations once everything plays together. If your mix feels thin even though each track sounds decent soloed, phase might be the missing piece.

Of course, this being Inside the Recording Studio, there’s no shortage of dry humor and light nonsense along the way. Chris and Jody keep things fun while still delivering solid recording setup tips you can use immediately.

If your mix keeps losing punch for no obvious reason, or your recordings sound weaker than they should, this episode will help you stop fighting your DAW and start fixing the real problem. Subscribe now and catch next week’s deep dive into another home studio mystery.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
January 2, 2026

Workflow

Gain Staging Explained: How to Get Cleaner Recordings Every Time

Gain staging is like flossing: everyone knows they should do it, very few people actually do, and the consequences sneak up on you later. This week on Inside the Recording Studio, Chris and Jody rip into the mysterious, often ignored art of gain staging and explain why your mixes might be suffering because of it.

They cut through myths, bad advice, and internet half-truths to show how managing levels at every stage of your signal flow keeps distortion in check, noise under control, and your sanity intact. From audio interface troubleshooting to plugin gain behavior that nobody warns you about, it’s all on the table.

Jody confesses the moment gain staging finally “clicked” for him and how it fixed problems he didn’t even realize he was creating. Expect laughs, mild heresy, useful recording setup tips, and just enough nonsense to remind you that audio is supposed to be fun.

Hot signal? Cold signal? Haunted signal? This episode’s for you.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com